The Potter's Craft - A Practical Guide for the Studio and Workshop - The Original Classic Edition
Nonfiction, Reference & Language, Reference, Fiction & Literature
| Author: | Charles F. Binns | ISBN: | 9781486447947 |
| Publisher: | Emereo Publishing | Publication: | March 18, 2013 |
| Imprint: | Emereo Publishing | Language: | English |
| Author: | Charles F. Binns |
| ISBN: | 9781486447947 |
| Publisher: | Emereo Publishing |
| Publication: | March 18, 2013 |
| Imprint: | Emereo Publishing |
| Language: | English |
Finally available, a high quality book of the original classic edition of The Potter's Craft - A Practical Guide for the Studio and Workshop. It was previously published by other bona fide publishers, and is now, after many years, back in print.
This is a new and freshly published edition of this culturally important work by Charles F. Binns, which is now, at last, again available to you.
Get the PDF and EPUB NOW as well. Included in your purchase you have The Potter's Craft - A Practical Guide for the Studio and Workshop in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Potter's Craft - A Practical Guide for the Studio and Workshop:
Look inside the book:
Were it not for the printing press this beautiful design could not have passed beyond the studio, and while it is a great thing if a wealthy man can commission a Whistler to decorate a peacock room, it is an advantage by no means to be ignored that a well designed wall paper can be purchased by the piece. ...It is akin to the work of certain painters who delight in painting marble or velvet so as to exhibit a perfect texture only and is but one degree removed from the skill of the pavement artist who with colored chalk draws a lamb chop or a banana in such a manner that the real article seems to be lying on the ground at his feet. ...21 The main difference between the two types is that while the maiolica or tin-glazed pottery of Spain, Italy and France consisted for the most part of a white enameled surface upon which painting was applied, Palissy used little or no white enamel but decorated his wares with tinted glazes which themselves supplied the colors.
Finally available, a high quality book of the original classic edition of The Potter's Craft - A Practical Guide for the Studio and Workshop. It was previously published by other bona fide publishers, and is now, after many years, back in print.
This is a new and freshly published edition of this culturally important work by Charles F. Binns, which is now, at last, again available to you.
Get the PDF and EPUB NOW as well. Included in your purchase you have The Potter's Craft - A Practical Guide for the Studio and Workshop in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Potter's Craft - A Practical Guide for the Studio and Workshop:
Look inside the book:
Were it not for the printing press this beautiful design could not have passed beyond the studio, and while it is a great thing if a wealthy man can commission a Whistler to decorate a peacock room, it is an advantage by no means to be ignored that a well designed wall paper can be purchased by the piece. ...It is akin to the work of certain painters who delight in painting marble or velvet so as to exhibit a perfect texture only and is but one degree removed from the skill of the pavement artist who with colored chalk draws a lamb chop or a banana in such a manner that the real article seems to be lying on the ground at his feet. ...21 The main difference between the two types is that while the maiolica or tin-glazed pottery of Spain, Italy and France consisted for the most part of a white enameled surface upon which painting was applied, Palissy used little or no white enamel but decorated his wares with tinted glazes which themselves supplied the colors.
