The Place of God in Piers Plowman and Medieval Art

Fiction & Literature, Literary Theory & Criticism
Cover of the book The Place of God in Piers Plowman and Medieval Art by Mary Clemente Davlin, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary Clemente Davlin ISBN: 9781351884204
Publisher: Taylor and Francis Publication: March 2, 2017
Imprint: Routledge Language: English
Author: Mary Clemente Davlin
ISBN: 9781351884204
Publisher: Taylor and Francis
Publication: March 2, 2017
Imprint: Routledge
Language: English

Probing spatial questions about God posed by Piers Plowman, the author of this interdisciplinary study turns to pictorial evidence-the use of religious space and relationships within such space in English art of the same period. The Place of God in Piers Plowman and Medieval Art is not only a study of the sense of God and of the relationship between God and creatures in the great religious poem, but also an analysis of art works of the high Middle Ages, especially English manuscript illuminations, in their placement of God. Such interdisciplinary analysis historicizes both literature and art, uncovering ways that medieval people imagined God and the understandings that they would have been able to bring to reading and viewing religious art.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Probing spatial questions about God posed by Piers Plowman, the author of this interdisciplinary study turns to pictorial evidence-the use of religious space and relationships within such space in English art of the same period. The Place of God in Piers Plowman and Medieval Art is not only a study of the sense of God and of the relationship between God and creatures in the great religious poem, but also an analysis of art works of the high Middle Ages, especially English manuscript illuminations, in their placement of God. Such interdisciplinary analysis historicizes both literature and art, uncovering ways that medieval people imagined God and the understandings that they would have been able to bring to reading and viewing religious art.

More books from Taylor and Francis

Cover of the book Rome, Postmodern Narratives of a Cityscape by Mary Clemente Davlin
Cover of the book The Politics of Abortion in the United States and Canada: A Comparative Study by Mary Clemente Davlin
Cover of the book The Routledge Companion to Visual Organization by Mary Clemente Davlin
Cover of the book Screen Tastes by Mary Clemente Davlin
Cover of the book The Englishwoman's Review of Social and Industrial Questions by Mary Clemente Davlin
Cover of the book Learning ICT with Maths by Mary Clemente Davlin
Cover of the book Attribution by Mary Clemente Davlin
Cover of the book A New Development Model and China's Future by Mary Clemente Davlin
Cover of the book Language Contact and the Future of English by Mary Clemente Davlin
Cover of the book Paradoxes of European Legal Integration by Mary Clemente Davlin
Cover of the book Life and Loss by Mary Clemente Davlin
Cover of the book Sex in the Ancient World from A to Z by Mary Clemente Davlin
Cover of the book Building Justice in Post-Transition Europe? by Mary Clemente Davlin
Cover of the book Methods of Historical Analysis in Electronic Media by Mary Clemente Davlin
Cover of the book Multimodal Film Analysis by Mary Clemente Davlin
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy