The New Music Industries
Disruption and Discovery
Nonfiction, Social & Cultural Studies, Political Science, Government, Public Policy, Entertainment, Music, Social Science
| Author: | Diane Hughes, Mark Evans, Guy Morrow, Sarah Keith | ISBN: | 9783319403649 |
| Publisher: | Springer International Publishing | Publication: | September 27, 2016 |
| Imprint: | Palgrave Macmillan | Language: | English |
| Author: | Diane Hughes, Mark Evans, Guy Morrow, Sarah Keith |
| ISBN: | 9783319403649 |
| Publisher: | Springer International Publishing |
| Publication: | September 27, 2016 |
| Imprint: | Palgrave Macmillan |
| Language: | English |
This research-based book outlines career models for artists, methods of creative engagement, artistic options including individuality and branding, production practices, the realities of being a musician in the new industries, and implications for popular music education. Due to the profound effects of the digitisation of music, the music industries have undergone rapid transformation. The former record label dominated industry has been supplanted by new industries, including digital aggregators, strategists and online platforms. These new music industries now facilitate ‘direct’ access to both artists and their music. While such accessibility and the potential for artist exposure have never been greater, the challenge to stand out or to even navigate a musical career pathway is formidable. A useful resource for musicians and educators, this text highlights the ways in which the new music industries facilitate increased opportunities for 21st Century popular musicians to collaborate, communicate and interact with others interested in their music.
This research-based book outlines career models for artists, methods of creative engagement, artistic options including individuality and branding, production practices, the realities of being a musician in the new industries, and implications for popular music education. Due to the profound effects of the digitisation of music, the music industries have undergone rapid transformation. The former record label dominated industry has been supplanted by new industries, including digital aggregators, strategists and online platforms. These new music industries now facilitate ‘direct’ access to both artists and their music. While such accessibility and the potential for artist exposure have never been greater, the challenge to stand out or to even navigate a musical career pathway is formidable. A useful resource for musicians and educators, this text highlights the ways in which the new music industries facilitate increased opportunities for 21st Century popular musicians to collaborate, communicate and interact with others interested in their music.
