The Near East: Dalmatia, Greece and Constantinople

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Near East: Dalmatia, Greece and Constantinople by Robert Smythe Hichens, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert Smythe Hichens ISBN: 9781465523419
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Robert Smythe Hichens
ISBN: 9781465523419
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

PICTURESQUE DALMATIA Miramar faded across the pale waters of the Adriatic, which lay like a dream at the foot of the hills where Triest seemed sleeping, all its activities stilled at the summons of peace. Beneath its tower the orange-colored sail of a fishing-boat caught the sunlight, and gleamed like some precious fabric, then faded, too, as the ship moved onward to the forgotten region of rocks and islands, of long, gray mountains, of little cities and ancient fortresses, of dim old churches, from whose campanile the medieval voices of bells ring out the angelus to a people still happily primitive, still unashamed to be picturesque. By the way of the sea we journeyed to a capital where no carriages roll through the narrow streets, where there is not a railway-station, where the citizens are content to go on foot about their business, and where three quarters of the blessings of civilization are blessedly unknown. We had still to touch at Pola, in whose great harbor the dull-green war-ships of Austria lay almost in the shadow of the vast Roman amphitheater, which has lifted its white walls, touched here and there with gold, above the sea for some sixteen hundred years, curiously graceful despite its gigantic bulk, the home now of grasses and thistles, where twenty thousand spectators used to assemble to take their pleasure. But when Pola was left behind, the ship soon entered the watery paradise. Miramar, Triest, were forgotten. Dalmatia is a land of forgetting, seems happily far away, cut off by the sea from many banalities, many active annoyances of modern life. Places that are, or that seem to be, remote often hold a certain melancholy, a tristesse of "old, unhappy, far-off things." But Dalmatia has a serene atmosphere, a cheerful purity, a clean and a cozy gaiety which reach out hands to the traveler, and take him at once into intimacy and the breast of a home. Before entering it the ship coasts along a naked region, in which pale, almost flesh-colored hills are backed by mountains of a ghastly grayness. Flesh-color and steel are almost cruelly blended. No habitations were visible. The sea, protected on our right by lines of islands, was waveless. No birds flew above it; no boats moved on it. We seemed to be creeping down into the ultimate desolation. But presently the waters widened out. At the foot of the hills appeared here and there white groups of houses. A greater warmth, like a breath of hope, stole into the air. White and yellow sails showed on the breast of the sea. Two sturdy men, wearing red caps, and standing to ply their oars, hailed us in the Slav dialect as they passed on their way to the islands. The huge, gray Velebit Mountains still bore us company on our voyage to the South, but they were losing their almost wicked look of dreariness. In the golden light of afternoon romance was descending upon them. And now a long spur of green land thrust itself far out, as if to bar our way onward. The islands closed in upon us again. A white town smiled on us far off at the edge of the happy, green land. It looked full of promises, a little city not to be passed without regretting. It was Zara, the capital without a railway-station of the forgotten country

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

PICTURESQUE DALMATIA Miramar faded across the pale waters of the Adriatic, which lay like a dream at the foot of the hills where Triest seemed sleeping, all its activities stilled at the summons of peace. Beneath its tower the orange-colored sail of a fishing-boat caught the sunlight, and gleamed like some precious fabric, then faded, too, as the ship moved onward to the forgotten region of rocks and islands, of long, gray mountains, of little cities and ancient fortresses, of dim old churches, from whose campanile the medieval voices of bells ring out the angelus to a people still happily primitive, still unashamed to be picturesque. By the way of the sea we journeyed to a capital where no carriages roll through the narrow streets, where there is not a railway-station, where the citizens are content to go on foot about their business, and where three quarters of the blessings of civilization are blessedly unknown. We had still to touch at Pola, in whose great harbor the dull-green war-ships of Austria lay almost in the shadow of the vast Roman amphitheater, which has lifted its white walls, touched here and there with gold, above the sea for some sixteen hundred years, curiously graceful despite its gigantic bulk, the home now of grasses and thistles, where twenty thousand spectators used to assemble to take their pleasure. But when Pola was left behind, the ship soon entered the watery paradise. Miramar, Triest, were forgotten. Dalmatia is a land of forgetting, seems happily far away, cut off by the sea from many banalities, many active annoyances of modern life. Places that are, or that seem to be, remote often hold a certain melancholy, a tristesse of "old, unhappy, far-off things." But Dalmatia has a serene atmosphere, a cheerful purity, a clean and a cozy gaiety which reach out hands to the traveler, and take him at once into intimacy and the breast of a home. Before entering it the ship coasts along a naked region, in which pale, almost flesh-colored hills are backed by mountains of a ghastly grayness. Flesh-color and steel are almost cruelly blended. No habitations were visible. The sea, protected on our right by lines of islands, was waveless. No birds flew above it; no boats moved on it. We seemed to be creeping down into the ultimate desolation. But presently the waters widened out. At the foot of the hills appeared here and there white groups of houses. A greater warmth, like a breath of hope, stole into the air. White and yellow sails showed on the breast of the sea. Two sturdy men, wearing red caps, and standing to ply their oars, hailed us in the Slav dialect as they passed on their way to the islands. The huge, gray Velebit Mountains still bore us company on our voyage to the South, but they were losing their almost wicked look of dreariness. In the golden light of afternoon romance was descending upon them. And now a long spur of green land thrust itself far out, as if to bar our way onward. The islands closed in upon us again. A white town smiled on us far off at the edge of the happy, green land. It looked full of promises, a little city not to be passed without regretting. It was Zara, the capital without a railway-station of the forgotten country

More books from Library of Alexandria

Cover of the book Tales of Giants from Brazil by Robert Smythe Hichens
Cover of the book The Avenging of the Saviour by Robert Smythe Hichens
Cover of the book Abington Abbey: A Novel by Robert Smythe Hichens
Cover of the book The Story-book of Science by Robert Smythe Hichens
Cover of the book Occult Chemistry Clairvoyant Observations on The Chemical Elements by Robert Smythe Hichens
Cover of the book The Red Man's Continent: A Chronicle of Aboriginal America by Robert Smythe Hichens
Cover of the book The Super Race: An American Problem by Robert Smythe Hichens
Cover of the book Journeys in Persia and Kurdistan: Including a Summer in the Upper Karun Region and a Visit to the Nestorian Rayahs (Volume II of II) by Robert Smythe Hichens
Cover of the book Earth Features and Their Meaning: An Introduction to Geology for the Student and the General Reader by Robert Smythe Hichens
Cover of the book Friendship Village Love Stories by Robert Smythe Hichens
Cover of the book Kipps: The Story of a Simple Soul by Robert Smythe Hichens
Cover of the book The Devil's Disciple by Robert Smythe Hichens
Cover of the book Fairies I Have Met by Robert Smythe Hichens
Cover of the book Fairies and Fusiliers by Robert Smythe Hichens
Cover of the book Arts and Crafts in the Middle Ages: A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance by Robert Smythe Hichens
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy