The Mortal Voice in the Tragedies of Aeschylus

Nonfiction, History, Ancient History, Fiction & Literature, Poetry, Religion & Spirituality, Philosophy
Cover of the book The Mortal Voice in the Tragedies of Aeschylus by Sarah Nooter, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sarah Nooter ISBN: 9781108547529
Publisher: Cambridge University Press Publication: October 26, 2017
Imprint: Cambridge University Press Language: English
Author: Sarah Nooter
ISBN: 9781108547529
Publisher: Cambridge University Press
Publication: October 26, 2017
Imprint: Cambridge University Press
Language: English

Voice connects our embodied existence with the theoretical worlds we construct. This book argues that the voice is a crucial element of mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in ancient Greek poetry and philosophy, understanding it in its most literal and physical form, as well as through the many metaphorical connotations that spring from it. Close readings then show how the tragedies and fragments of Aeschylus gain meaning from the rubric and performance of voice, concentrating particularly on the Oresteia. Sarah Nooter demonstrates how voice - as both a bottomless metaphor and performative agent of action - stands as the prevailing configuration through which Aeschylus' dramas should be heard. This highly original book will interest all those interested in classical literature as well as those concerned with material approaches to the interpretation of texts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Voice connects our embodied existence with the theoretical worlds we construct. This book argues that the voice is a crucial element of mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in ancient Greek poetry and philosophy, understanding it in its most literal and physical form, as well as through the many metaphorical connotations that spring from it. Close readings then show how the tragedies and fragments of Aeschylus gain meaning from the rubric and performance of voice, concentrating particularly on the Oresteia. Sarah Nooter demonstrates how voice - as both a bottomless metaphor and performative agent of action - stands as the prevailing configuration through which Aeschylus' dramas should be heard. This highly original book will interest all those interested in classical literature as well as those concerned with material approaches to the interpretation of texts.

More books from Cambridge University Press

Cover of the book The Cambridge Companion to English Literature, 1830–1914 by Sarah Nooter
Cover of the book Tales from Shakespeare by Sarah Nooter
Cover of the book The Psychology of Organizational Change by Sarah Nooter
Cover of the book Tennessee Williams and the Theatre of Excess by Sarah Nooter
Cover of the book Scientific Method in Brief by Sarah Nooter
Cover of the book Legal Personality in International Law by Sarah Nooter
Cover of the book Resurrecting Democracy by Sarah Nooter
Cover of the book State Strategies in International Bargaining by Sarah Nooter
Cover of the book Rural Lives and Landscapes in Late Byzantium by Sarah Nooter
Cover of the book Toleration in Conflict by Sarah Nooter
Cover of the book Humanizing the Laws of War by Sarah Nooter
Cover of the book The Cambridge Companion to the Musical by Sarah Nooter
Cover of the book Extraterrestrial Seismology by Sarah Nooter
Cover of the book The Requiem of Tomás Luis de Victoria (1603) by Sarah Nooter
Cover of the book EMBOSS Developer's Guide by Sarah Nooter
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy