The Last of an Age

The Making and Unmaking of a Sixteenth-Century Ottoman Poet

Fiction & Literature, Literary Theory & Criticism
Cover of the book The Last of an Age by Sooyong Kim, Taylor and Francis
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Author: Sooyong Kim ISBN: 9781134791514
Publisher: Taylor and Francis Publication: December 1, 2017
Imprint: Routledge Language: English
Author: Sooyong Kim
ISBN: 9781134791514
Publisher: Taylor and Francis
Publication: December 1, 2017
Imprint: Routledge
Language: English

In The Last of an Age, Sooyong Kim explores the relationship between

social change and the development of an Ottoman literary canon in the

course of the sixteenth century by examining the work and reception of

a popular poet, Zati (1471–1546). Kim argues that a newly emergent

group of bureaucratic literati, through the production of authoritative biographical

dictionaries, ultimately relegated Zati to a lesser literary age,

driven by a self-fashioning that privileged broad linguistic ability, above

all else, with poetry serving as the main vehicle for demonstrating that.

This study is interdisciplinary in approach, taking insights from literary

studies, cultural history, and social theory. It adds to the scholarship

on the rise of early modern Ottoman canons in the fields of visual arts

and music and complements recent work on court patronage. Framed by

ongoing critiques of canon formation among specialists of early modern

Europe and late imperial China, the study offers a comparative perspective

on those issues.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In The Last of an Age, Sooyong Kim explores the relationship between

social change and the development of an Ottoman literary canon in the

course of the sixteenth century by examining the work and reception of

a popular poet, Zati (1471–1546). Kim argues that a newly emergent

group of bureaucratic literati, through the production of authoritative biographical

dictionaries, ultimately relegated Zati to a lesser literary age,

driven by a self-fashioning that privileged broad linguistic ability, above

all else, with poetry serving as the main vehicle for demonstrating that.

This study is interdisciplinary in approach, taking insights from literary

studies, cultural history, and social theory. It adds to the scholarship

on the rise of early modern Ottoman canons in the fields of visual arts

and music and complements recent work on court patronage. Framed by

ongoing critiques of canon formation among specialists of early modern

Europe and late imperial China, the study offers a comparative perspective

on those issues.

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