The Irish Vampire

From Folklore to the Imaginations of Charles Robert Maturin, Joseph Sheridan Le Fanu and Bram Stoker

Nonfiction, Social & Cultural Studies, Social Science, Folklore & Mythology, Fiction & Literature, Literary Theory & Criticism
Cover of the book The Irish Vampire by Sharon M. Gallagher, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sharon M. Gallagher ISBN: 9781476627960
Publisher: McFarland & Company, Inc., Publishers Publication: April 11, 2017
Imprint: Language: English
Author: Sharon M. Gallagher
ISBN: 9781476627960
Publisher: McFarland & Company, Inc., Publishers
Publication: April 11, 2017
Imprint:
Language: English

The origins of the vampire can be traced through oral traditions, ancient texts and archaeological discoveries, its nature varying from one culture to the next up until the 20th century. Three 19th century Irish writers--Charles Robert Maturin, Joseph Sheridan Le Fanu and Bram Stoker--used the obscure vampire of folklore in their fiction and developed a universally recognizable figure, culminating in Stoker's Dracula and the vampire of today's popular culture. Maturin, Le Fanu and Stoker did not set out to transform the vampire of regional folk tales into a global phenomenon. Their personal lives, national concerns and extensive reading were reflected in their writing, striking a chord with readers and recasting the vampire as distinctly Irish. This study traces the genealogy of the modern literary vampire from European mythology through the Irish literature of the 1800s.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The origins of the vampire can be traced through oral traditions, ancient texts and archaeological discoveries, its nature varying from one culture to the next up until the 20th century. Three 19th century Irish writers--Charles Robert Maturin, Joseph Sheridan Le Fanu and Bram Stoker--used the obscure vampire of folklore in their fiction and developed a universally recognizable figure, culminating in Stoker's Dracula and the vampire of today's popular culture. Maturin, Le Fanu and Stoker did not set out to transform the vampire of regional folk tales into a global phenomenon. Their personal lives, national concerns and extensive reading were reflected in their writing, striking a chord with readers and recasting the vampire as distinctly Irish. This study traces the genealogy of the modern literary vampire from European mythology through the Irish literature of the 1800s.

More books from McFarland & Company, Inc., Publishers

Cover of the book The Early Jews and Muslims of England and Wales by Sharon M. Gallagher
Cover of the book Marauder by Sharon M. Gallagher
Cover of the book Adapted from the Original by Sharon M. Gallagher
Cover of the book The Namibian War of Independence, 1966-1989 by Sharon M. Gallagher
Cover of the book The Transgressive Iain Banks by Sharon M. Gallagher
Cover of the book The Games That Changed Baseball by Sharon M. Gallagher
Cover of the book The Trial of Susan B. Anthony by Sharon M. Gallagher
Cover of the book Dancing with Dharma by Sharon M. Gallagher
Cover of the book The Wankel Rotary Engine by Sharon M. Gallagher
Cover of the book The Irish and the Making of American Sport, 1835-1920 by Sharon M. Gallagher
Cover of the book The Digital God by Sharon M. Gallagher
Cover of the book An Illustrated History of Trigger by Sharon M. Gallagher
Cover of the book Good Queen Anne by Sharon M. Gallagher
Cover of the book Professional Wrestling in the Pacific Northwest by Sharon M. Gallagher
Cover of the book Buffy Meets the Academy by Sharon M. Gallagher
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy