The Helmholtz Curves

Tracing Lost Time

Nonfiction, Religion & Spirituality, Philosophy, Phenomenology, Science & Nature, Science, Other Sciences, Philosophy & Social Aspects, History
Cover of the book The Helmholtz Curves by Henning Schmidgen, Fordham University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Henning Schmidgen ISBN: 9780823261963
Publisher: Fordham University Press Publication: September 15, 2014
Imprint: Fordham University Press Language: English
Author: Henning Schmidgen
ISBN: 9780823261963
Publisher: Fordham University Press
Publication: September 15, 2014
Imprint: Fordham University Press
Language: English

This book reconstructs the emergence of the phenomenon of “lost time” by engaging with two of the most significant time experts of the nineteenth century: the German physiologist Hermann von Helmholtz and the French writer Marcel Proust.

Its starting point is the archival discovery of curve images that Helmholtz produced in the context of pathbreaking experiments on the temporality of the nervous system in 1851. With a “frog drawing machine,” Helmholtz established the temporal gap between stimulus and response that has remained a core issue in debates between neuroscientists and philosophers.

When naming the recorded phenomena, Helmholtz introduced the term temps perdu, or lost time. Proust had excellent contacts with the biomedical world of late-nineteenth-century Paris, and he was familiar with this term and physiological tracing technologies behind it. Drawing on the machine philosophy of Deleuze, Schmidgen highlights the resemblance between the machinic assemblages and rhizomatic networks within which Helmholtz and Proust pursued their respective projects.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book reconstructs the emergence of the phenomenon of “lost time” by engaging with two of the most significant time experts of the nineteenth century: the German physiologist Hermann von Helmholtz and the French writer Marcel Proust.

Its starting point is the archival discovery of curve images that Helmholtz produced in the context of pathbreaking experiments on the temporality of the nervous system in 1851. With a “frog drawing machine,” Helmholtz established the temporal gap between stimulus and response that has remained a core issue in debates between neuroscientists and philosophers.

When naming the recorded phenomena, Helmholtz introduced the term temps perdu, or lost time. Proust had excellent contacts with the biomedical world of late-nineteenth-century Paris, and he was familiar with this term and physiological tracing technologies behind it. Drawing on the machine philosophy of Deleuze, Schmidgen highlights the resemblance between the machinic assemblages and rhizomatic networks within which Helmholtz and Proust pursued their respective projects.

More books from Fordham University Press

Cover of the book Minima Philologica by Henning Schmidgen
Cover of the book Ambiguity and the Absolute by Henning Schmidgen
Cover of the book From a Nickel to a Token by Henning Schmidgen
Cover of the book More with Less by Henning Schmidgen
Cover of the book Reconstruction in a Globalizing World by Henning Schmidgen
Cover of the book Making Italian America by Henning Schmidgen
Cover of the book Practicing the City by Henning Schmidgen
Cover of the book Redeemer Nation in the Interregnum by Henning Schmidgen
Cover of the book The Babylon Complex by Henning Schmidgen
Cover of the book Poetics of Emptiness by Henning Schmidgen
Cover of the book Murder, Inc., and the Moral Life by Henning Schmidgen
Cover of the book The Ground of the Image by Henning Schmidgen
Cover of the book Motherhood as Metaphor by Henning Schmidgen
Cover of the book The Reinvention of Religious Music by Henning Schmidgen
Cover of the book Informed Consent to Psychoanalysis by Henning Schmidgen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy