The Double motif in literature using the example of Stevenson's 'The Strange Case of Dr. Jekyll and Mr. Hyde'

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The Double motif in literature using the example of Stevenson's 'The Strange Case of Dr. Jekyll and Mr. Hyde' by Julia Diedrich, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julia Diedrich ISBN: 9783640491759
Publisher: GRIN Publishing Publication: December 11, 2009
Imprint: GRIN Publishing Language: English
Author: Julia Diedrich
ISBN: 9783640491759
Publisher: GRIN Publishing
Publication: December 11, 2009
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,3, Ernst Moritz Arndt University of Greifswald (Anglistik/Amerikanistik), course: Psychological Approaches to British Fiction, language: English, abstract: Since the early beginning of literature the double motif has served in its different models to trace the features of the ego, individuality and perception. The double plays an important role in literature: it portays confusion and transformation, reflects inner desires and spreads anxiety. But the phenomenon is not just an invention of literature. Again and again people claim to see oneself like some famous persons such as Catharine the Great and Johann Wolfgang von Goethe. This term paper will analyze the Double-motif in Robert Louis Stevenson's novel The Strange Case of Dr. Jekyll and Mr. Hyde with regard to psychoanalysis. While citing secondary literature it became obvious that a good portion of these examinations use psychological criteria which offer a wider range of insight into the oddly logic of Stevenson's text which he to no purpose named The Strange Case. Three texts from Freud lend themselves to work with the novel: 'Die 'kulturelle' Sexualmoral und die moderne Nervosität' (1908), 'Das Unheimliche' (1919) and 'Das Unbehagen in der Kultur' (1930). In 'Das Unheimliche' Freud deals with the background of the double motif. He interprets the phenomenon from its probable beginning in mythology till the masterly usage of it in E.T.A Hoffmann's 'Sandman'. In section two of this term paper I will give an overview of the double motif in literature. For this, I will explain the development of the term and its psychological implications. The third section will constitute the main part of the paper: I will first discuss two moments which can be interpreted with the help of psychology and then I will try to apply Freud's theorems to the primary source which is full of repressed drives and desires.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,3, Ernst Moritz Arndt University of Greifswald (Anglistik/Amerikanistik), course: Psychological Approaches to British Fiction, language: English, abstract: Since the early beginning of literature the double motif has served in its different models to trace the features of the ego, individuality and perception. The double plays an important role in literature: it portays confusion and transformation, reflects inner desires and spreads anxiety. But the phenomenon is not just an invention of literature. Again and again people claim to see oneself like some famous persons such as Catharine the Great and Johann Wolfgang von Goethe. This term paper will analyze the Double-motif in Robert Louis Stevenson's novel The Strange Case of Dr. Jekyll and Mr. Hyde with regard to psychoanalysis. While citing secondary literature it became obvious that a good portion of these examinations use psychological criteria which offer a wider range of insight into the oddly logic of Stevenson's text which he to no purpose named The Strange Case. Three texts from Freud lend themselves to work with the novel: 'Die 'kulturelle' Sexualmoral und die moderne Nervosität' (1908), 'Das Unheimliche' (1919) and 'Das Unbehagen in der Kultur' (1930). In 'Das Unheimliche' Freud deals with the background of the double motif. He interprets the phenomenon from its probable beginning in mythology till the masterly usage of it in E.T.A Hoffmann's 'Sandman'. In section two of this term paper I will give an overview of the double motif in literature. For this, I will explain the development of the term and its psychological implications. The third section will constitute the main part of the paper: I will first discuss two moments which can be interpreted with the help of psychology and then I will try to apply Freud's theorems to the primary source which is full of repressed drives and desires.

More books from GRIN Publishing

Cover of the book The Increasing Trend of ADHD Diagnosis by Julia Diedrich
Cover of the book Globalization - Blessing or Curse? by Julia Diedrich
Cover of the book American Foreign Policy in the Third World Countries by Julia Diedrich
Cover of the book Effects of New Business Models on Organizations in the Field of Student Tutoring by Julia Diedrich
Cover of the book Außerschulischer Lernort am Oberrhein: Das Römermuseum Stettfeld by Julia Diedrich
Cover of the book Antitrust Implications of Technology Consortia by Julia Diedrich
Cover of the book Governmental Change and New Causal Ideas in Britain. Why ESDP Lifted Off in 1999 by Julia Diedrich
Cover of the book Which identity for Europe? by Julia Diedrich
Cover of the book The Benefits of Diversity by Julia Diedrich
Cover of the book 'The Sorrows of Yamba' by Hannah More and 'A Poem on the Inhumanity of the Slave-Trade' by Ann Yearsley ? A comparison by Julia Diedrich
Cover of the book 'Wide Sargasso Sea' by Jean Rhys as a postcolonial response to 'Jane Eyre' by Charlotte Bronte by Julia Diedrich
Cover of the book Globalisation and media in the Arab world by Julia Diedrich
Cover of the book Managerial Styles: A German-Chinese Comparison by Julia Diedrich
Cover of the book The Politeness Phenomenon by Julia Diedrich
Cover of the book Do the People Truly Rule in a Representative Democracy? by Julia Diedrich
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy