The Cambridge Companion to the Orchestra

Nonfiction, Entertainment, Music, Instruments & Instruction, Techniques, Theory & Criticism
Cover of the book The Cambridge Companion to the Orchestra by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139816595
Publisher: Cambridge University Press Publication: April 24, 2003
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139816595
Publisher: Cambridge University Press
Publication: April 24, 2003
Imprint: Cambridge University Press
Language: English

This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra's continued role in a changing society. Other topics discussed include the art of orchestration, scorereading, conductors and conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener. Written by experts in the field, the book will be of academic and practical interest to a wide-ranging readership of music historians and professional or amateur musicians as well as an invaluable resource for all those contemplating a career in the performing arts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra's continued role in a changing society. Other topics discussed include the art of orchestration, scorereading, conductors and conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener. Written by experts in the field, the book will be of academic and practical interest to a wide-ranging readership of music historians and professional or amateur musicians as well as an invaluable resource for all those contemplating a career in the performing arts.

More books from Cambridge University Press

Cover of the book The Cambridge Companion to Chopin by
Cover of the book The Cambridge History of American Poetry by
Cover of the book European Union Corporate Tax Law by
Cover of the book Common Pitfalls in the Evaluation and Management of Headache by
Cover of the book The Decline of the Traditional Pension by
Cover of the book The Arctic Climate System by
Cover of the book The Cambridge Handbook of Visuospatial Thinking by
Cover of the book The Law of Good People by
Cover of the book Plotinus, Self and the World by
Cover of the book Morphosyntactic Change by
Cover of the book Solidarity and Justice in Health and Social Care by
Cover of the book An Introduction to Neuroendocrinology by
Cover of the book The Cambridge Companion to American Civil Rights Literature by
Cover of the book The Global South and Literature by
Cover of the book Pearls and Pitfalls in Thoracic Imaging by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy