The Arts and Crafts of Ancient Egypt

Nonfiction, History, Ancient History, Egypt
Cover of the book The Arts and Crafts of Ancient Egypt by W. M. Flinders Petrie, anboco
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: W. M. Flinders Petrie ISBN: 9783736416536
Publisher: anboco Publication: September 25, 2016
Imprint: Language: English
Author: W. M. Flinders Petrie
ISBN: 9783736416536
Publisher: anboco
Publication: September 25, 2016
Imprint:
Language: English

This present handbook is intended to aid in the understanding of Egyptian art, and the illustrations and descriptions are selected for that purpose only. The history of the art would require a far greater range of examples, in order to illustrate the growth and decay of each of the great periods; whereas here only the most striking works of each period are shown, in order to contrast the different civilisations. The origins and connections of the art in each age are scarcely touched, and the technical details are only such as are needed to see the conditions of the art. The archaeology of the subject would need as wide a treatment as the history, and these subjects can only appear here incidentally. It should be noticed that the divisions of artistic periods are often not the same as those of political history. Politically, the history divides at the XVIIth dynasty with the fall of the Hyksos, and at the XXIInd dynasty with the rise of the Delta[vi] government. But artistically the changes are under Tahutmes I, when Syrian influences broke in, and under the XXVIth dynasty, when the classical Greeks began to dominate the art. The effect of foreign influence in art is quite apart from political power; it is due to rival activities which may or may not mean a physical domination. The reader should ponder different cases, such as those of the spiral design of early Europe entering Egypt, of the Syrian and Cretan art in the XVIIIth dynasty, of the effect of Persia upon Greece, and of Greece upon Italy (both through Magna Graecia and the conquest of Greece), of the effect of the Goth, Lombard, and Northman on Europe, and of Japan on modern Europe. Some reflection on these great artistic movements will give a little insight as to the history of art. Regarding the illustrations, I have thought it more useful to give details large enough to be clearly seen, rather than to contract too much surface into a space where it cannot well be studied.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This present handbook is intended to aid in the understanding of Egyptian art, and the illustrations and descriptions are selected for that purpose only. The history of the art would require a far greater range of examples, in order to illustrate the growth and decay of each of the great periods; whereas here only the most striking works of each period are shown, in order to contrast the different civilisations. The origins and connections of the art in each age are scarcely touched, and the technical details are only such as are needed to see the conditions of the art. The archaeology of the subject would need as wide a treatment as the history, and these subjects can only appear here incidentally. It should be noticed that the divisions of artistic periods are often not the same as those of political history. Politically, the history divides at the XVIIth dynasty with the fall of the Hyksos, and at the XXIInd dynasty with the rise of the Delta[vi] government. But artistically the changes are under Tahutmes I, when Syrian influences broke in, and under the XXVIth dynasty, when the classical Greeks began to dominate the art. The effect of foreign influence in art is quite apart from political power; it is due to rival activities which may or may not mean a physical domination. The reader should ponder different cases, such as those of the spiral design of early Europe entering Egypt, of the Syrian and Cretan art in the XVIIIth dynasty, of the effect of Persia upon Greece, and of Greece upon Italy (both through Magna Graecia and the conquest of Greece), of the effect of the Goth, Lombard, and Northman on Europe, and of Japan on modern Europe. Some reflection on these great artistic movements will give a little insight as to the history of art. Regarding the illustrations, I have thought it more useful to give details large enough to be clearly seen, rather than to contract too much surface into a space where it cannot well be studied.

More books from anboco

Cover of the book Andersen's Fairy Tales by W. M. Flinders Petrie
Cover of the book The Bab Ballads with Which are Included Songs of a Savoyard by W. M. Flinders Petrie
Cover of the book Tales by W. M. Flinders Petrie
Cover of the book The Forbidden Room by W. M. Flinders Petrie
Cover of the book Castle Blair - A Story of Youthful Days by W. M. Flinders Petrie
Cover of the book Oswald Bastable and Others by W. M. Flinders Petrie
Cover of the book The Still-Room by W. M. Flinders Petrie
Cover of the book Mountaineering in the Sierra Nevada by W. M. Flinders Petrie
Cover of the book The Princess Nobody by W. M. Flinders Petrie
Cover of the book Through the Sikh War by W. M. Flinders Petrie
Cover of the book Modern Design in Jewellery and Fans by W. M. Flinders Petrie
Cover of the book Writings in Connection with the Donatist Controversy by W. M. Flinders Petrie
Cover of the book The cremation of the dead - considered from an ae-legal, and economical standpoint by W. M. Flinders Petrie
Cover of the book Cavendish on Whist by W. M. Flinders Petrie
Cover of the book The Writings VI by W. M. Flinders Petrie
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy