The Artist in New York

Letters to Jean Charlot and unpublished writings, 1925-1929.

Nonfiction, Art & Architecture, General Art, Individual Artist, Artists, Architects & Photographers, Fiction & Literature, Essays & Letters
Cover of the book The Artist in New York by José Clemente Orozco, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: José Clemente Orozco ISBN: 9780292791497
Publisher: University of Texas Press Publication: January 20, 2011
Imprint: University of Texas Press Language: English
Author: José Clemente Orozco
ISBN: 9780292791497
Publisher: University of Texas Press
Publication: January 20, 2011
Imprint: University of Texas Press
Language: English

In his Foreword to this edition, Jean Charlot says: "An unusual feature of Orozco's letters is the great deal that he has to say about art. That one artist writing to another would emphasize art as his subject seems normal enough to the American reader. Yet, within the context of the Mexico of those days, the fact remains exceptional. The patria Orozco was leaving behind had, even from the point of view of its artists, many cares more pressing than art."The letters and unpublished writings of Orozco from this period (1925-1929) describe an important period of transition in the artist's life, from his departure from Mexico, almost as a defeated man, to the period just before he received the great mural commissions—Pomona, The New School for Social Research in New York, Dartmouth—that were to bring him lasting international fame.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In his Foreword to this edition, Jean Charlot says: "An unusual feature of Orozco's letters is the great deal that he has to say about art. That one artist writing to another would emphasize art as his subject seems normal enough to the American reader. Yet, within the context of the Mexico of those days, the fact remains exceptional. The patria Orozco was leaving behind had, even from the point of view of its artists, many cares more pressing than art."The letters and unpublished writings of Orozco from this period (1925-1929) describe an important period of transition in the artist's life, from his departure from Mexico, almost as a defeated man, to the period just before he received the great mural commissions—Pomona, The New School for Social Research in New York, Dartmouth—that were to bring him lasting international fame.

More books from University of Texas Press

Cover of the book Muslim Rap, Halal Soaps, and Revolutionary Theater by José Clemente Orozco
Cover of the book Shore Ecology of the Gulf of Mexico by José Clemente Orozco
Cover of the book About Antiquities by José Clemente Orozco
Cover of the book Mexican Financial Development by José Clemente Orozco
Cover of the book Mixing It Up by José Clemente Orozco
Cover of the book Fire in the Water, Earth in the Air by José Clemente Orozco
Cover of the book A Favored Place by José Clemente Orozco
Cover of the book Demosthenes, Speeches 60 and 61, Prologues, Letters by José Clemente Orozco
Cover of the book Chances for Peace by José Clemente Orozco
Cover of the book The Albatross and the Fish by José Clemente Orozco
Cover of the book Oil, Banks, and Politics by José Clemente Orozco
Cover of the book Joyce and the Two Irelands by José Clemente Orozco
Cover of the book Dwight Yoakam by José Clemente Orozco
Cover of the book Kiowa Ethnogeography by José Clemente Orozco
Cover of the book Mexico and Mexicans in the Making of the United States by José Clemente Orozco
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy