The Art of Richard Mayhew

A Critical Analysis with Interviews

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Native American Studies, African-American Studies, Art & Architecture, General Art
Cover of the book The Art of Richard Mayhew by Janet Berry Hess, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Janet Berry Hess ISBN: 9781476602424
Publisher: McFarland & Company, Inc., Publishers Publication: April 16, 2014
Imprint: Language: English
Author: Janet Berry Hess
ISBN: 9781476602424
Publisher: McFarland & Company, Inc., Publishers
Publication: April 16, 2014
Imprint:
Language: English

African American and American Indian artist Richard Mayhew was a pivotal member of the movement, headed by Romare Bearden, of the most important black artists of the Abstract Expressionist era. Bearden’s group, Spiral, was formed as a visual response to the March on Washington. Mayhew associated with Jackson Pollock, Robert Motherwell, and Bearden, and formed alliances with such African American artists as Faith Ringgold, Norman Lewis, Ed Clark, and Emma Amos; his work is exhibited in major collections and museums throughout the world. This book explores his art and discusses the critical exclusion from the history of art of Native Americans and African Americans who are not figurative or “narrative” and creates a framework for reconsideration of such art.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

African American and American Indian artist Richard Mayhew was a pivotal member of the movement, headed by Romare Bearden, of the most important black artists of the Abstract Expressionist era. Bearden’s group, Spiral, was formed as a visual response to the March on Washington. Mayhew associated with Jackson Pollock, Robert Motherwell, and Bearden, and formed alliances with such African American artists as Faith Ringgold, Norman Lewis, Ed Clark, and Emma Amos; his work is exhibited in major collections and museums throughout the world. This book explores his art and discusses the critical exclusion from the history of art of Native Americans and African Americans who are not figurative or “narrative” and creates a framework for reconsideration of such art.

More books from McFarland & Company, Inc., Publishers

Cover of the book Creatures Real and Imaginary in Chinese and Japanese Art by Janet Berry Hess
Cover of the book The Signs of James Bond by Janet Berry Hess
Cover of the book The Tecumsehs of the International Association by Janet Berry Hess
Cover of the book Turning the Pages of American Girlhood by Janet Berry Hess
Cover of the book African American Army Officers of World War I by Janet Berry Hess
Cover of the book Self-Taught, Outsider and Folk Art by Janet Berry Hess
Cover of the book The Failure of Evangelical Mental Health Care by Janet Berry Hess
Cover of the book Colonels in Blue--Indiana, Kentucky and Tennessee by Janet Berry Hess
Cover of the book Pardonable Matricide by Janet Berry Hess
Cover of the book Information Ethics, Globalization and Citizenship by Janet Berry Hess
Cover of the book Lovable Crooks and Loathsome Jews by Janet Berry Hess
Cover of the book The Nation's Capital Brewmaster by Janet Berry Hess
Cover of the book The Tudors on Film and Television by Janet Berry Hess
Cover of the book The Infamous Dakota War Trials of 1862 by Janet Berry Hess
Cover of the book The Elusive African Renaissance by Janet Berry Hess
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy