Syntactic Dislocation in English Congregational Song between 1500 and 1900

A Corpus-based Study

Nonfiction, Reference & Language, Study Aids, ESL, Language Arts, Linguistics, Foreign Languages
Cover of the book Syntactic Dislocation in English Congregational Song between 1500 and 1900 by Kirsten Gather, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kirsten Gather ISBN: 9783653994414
Publisher: Peter Lang Publication: July 7, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author: Kirsten Gather
ISBN: 9783653994414
Publisher: Peter Lang
Publication: July 7, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose.

More books from Peter Lang

Cover of the book Ways of Seeing, Ways of Being by Kirsten Gather
Cover of the book Das kulturelle Gedaechtnis Europas im Wandel by Kirsten Gather
Cover of the book Faszination Komposition by Kirsten Gather
Cover of the book The Influence of Level of Extroversion, Locus of Control and Gender on Listening and Reading Proficiency in Second Language Acquisition by Kirsten Gather
Cover of the book Die soziale Herkunft der daenischen Studenten by Kirsten Gather
Cover of the book Heterogenitaet und Diversitaet im Englischunterricht by Kirsten Gather
Cover of the book Generational Curses in the Pentateuch by Kirsten Gather
Cover of the book The Challenges of Policy Transfer in Vocational Skills Development by Kirsten Gather
Cover of the book Collective Governance in Tarifverbaenden by Kirsten Gather
Cover of the book Wege- und Dienstreisezeiten by Kirsten Gather
Cover of the book Totalitarian Speech by Kirsten Gather
Cover of the book Child and Nation by Kirsten Gather
Cover of the book Das Spannungsverhaeltnis zwischen Verbraucherschutz und Unternehmerrechten by Kirsten Gather
Cover of the book Die Effektivitaet der Sprachfoerderung ein- und mehrsprachiger Kinder in vorschulischen Einrichtungen by Kirsten Gather
Cover of the book Die Chronologie von Emily Brontës «Wuthering Heights» by Kirsten Gather
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy