Syntactic Dislocation in English Congregational Song between 1500 and 1900

A Corpus-based Study

Nonfiction, Reference & Language, Study Aids, ESL, Language Arts, Linguistics, Foreign Languages
Cover of the book Syntactic Dislocation in English Congregational Song between 1500 and 1900 by Kirsten Gather, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kirsten Gather ISBN: 9783653994414
Publisher: Peter Lang Publication: July 7, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author: Kirsten Gather
ISBN: 9783653994414
Publisher: Peter Lang
Publication: July 7, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose.

More books from Peter Lang

Cover of the book Doing Critical Educational Research by Kirsten Gather
Cover of the book .edu by Kirsten Gather
Cover of the book Faszination Komposition by Kirsten Gather
Cover of the book Spaces of Expression and Repression in Post-Millennial North-American Literature and Visual Culture by Kirsten Gather
Cover of the book A Critical Search for Values in George W. Bushs State of the Union Addresses by Kirsten Gather
Cover of the book Le jugement professionnel, au cœur de lévaluation et de la régulation des apprentissages by Kirsten Gather
Cover of the book Lebensbedingungen von Frauen und Kindern um die Wende zum 20. Jahrhundert by Kirsten Gather
Cover of the book LEssor de la proposition participiale en moyen français by Kirsten Gather
Cover of the book Matters of Time by Kirsten Gather
Cover of the book Johannes V. Jensen by Kirsten Gather
Cover of the book Quellen zum Aktiengesetz vom 18. Juli 1884 by Kirsten Gather
Cover of the book The Dark Side of Diderot / Le Diderot des ombres by Kirsten Gather
Cover of the book Gesellschaftsvertragliche Abfindungsklauseln in der Erbschaft- und Schenkungsteuer by Kirsten Gather
Cover of the book «Wenn jemand eine Reise tut …» by Kirsten Gather
Cover of the book La phrase autonome by Kirsten Gather
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy