Subalternity and Representation

Arguments in Cultural Theory

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Minority Studies, Sociology
Cover of the book Subalternity and Representation by John Beverley, Stanley Fish, Fredric Jameson, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Beverley, Stanley Fish, Fredric Jameson ISBN: 9780822382195
Publisher: Duke University Press Publication: December 22, 1999
Imprint: Duke University Press Books Language: English
Author: John Beverley, Stanley Fish, Fredric Jameson
ISBN: 9780822382195
Publisher: Duke University Press
Publication: December 22, 1999
Imprint: Duke University Press Books
Language: English

The term “subalternity” refers to a condition of subordination brought about by colonization or other forms of economic, social, racial, linguistic, and/or cultural dominance. Subaltern studies is, therefore, a study of power. Who has it and who does not. Who is gaining it and who is losing it. Power is intimately related to questions of representation—to which representations have cognitive authority and can secure hegemony and which do not and cannot. In this book John Beverley examines the relationship between subalternity and representation by analyzing the ways in which that relationship has been played out in the domain of Latin American studies.

Dismissed by some as simply another new fashion in the critique of culture and by others as a postmarxist heresy, subaltern studies began with the work of Ranajit Guha and the South Asian Subaltern Studies collective in the 1980s. Beverley’s focus on Latin America, however, is evidence of the growing province of this field. In assessing subaltern studies’ purposes and methods, the potential dangers it presents, and its interactions with deconstruction, poststructuralism, cultural studies, Marxism, and political theory, Beverley builds his discussion around a single, provocative question: How can academic knowledge seek to represent the subaltern when that knowledge is itself implicated in the practices that construct the subaltern as such? In his search for answers, he grapples with a number of issues, notably the 1998 debate between David Stoll and Rigoberta Menchú over her award-winning testimonial narrative, I, Rigoberta Menchú. Other topics explored include the concept of civil society, Florencia Mallon’s influential Peasant and Nation, the relationship between the Latin American “lettered city” and the Túpac Amaru rebellion of 1780–1783, the ideas of transculturation and hybridity in postcolonial studies and Latin American cultural studies, multiculturalism, and the relationship between populism, popular culture, and the “national-popular” in conditions of globalization.

This critique and defense of subaltern studies offers a compendium of insights into a new form of knowledge and knowledge production. It will interest those studying postcolonialism, political science, cultural studies, and Latin American culture, history, and literature.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The term “subalternity” refers to a condition of subordination brought about by colonization or other forms of economic, social, racial, linguistic, and/or cultural dominance. Subaltern studies is, therefore, a study of power. Who has it and who does not. Who is gaining it and who is losing it. Power is intimately related to questions of representation—to which representations have cognitive authority and can secure hegemony and which do not and cannot. In this book John Beverley examines the relationship between subalternity and representation by analyzing the ways in which that relationship has been played out in the domain of Latin American studies.

Dismissed by some as simply another new fashion in the critique of culture and by others as a postmarxist heresy, subaltern studies began with the work of Ranajit Guha and the South Asian Subaltern Studies collective in the 1980s. Beverley’s focus on Latin America, however, is evidence of the growing province of this field. In assessing subaltern studies’ purposes and methods, the potential dangers it presents, and its interactions with deconstruction, poststructuralism, cultural studies, Marxism, and political theory, Beverley builds his discussion around a single, provocative question: How can academic knowledge seek to represent the subaltern when that knowledge is itself implicated in the practices that construct the subaltern as such? In his search for answers, he grapples with a number of issues, notably the 1998 debate between David Stoll and Rigoberta Menchú over her award-winning testimonial narrative, I, Rigoberta Menchú. Other topics explored include the concept of civil society, Florencia Mallon’s influential Peasant and Nation, the relationship between the Latin American “lettered city” and the Túpac Amaru rebellion of 1780–1783, the ideas of transculturation and hybridity in postcolonial studies and Latin American cultural studies, multiculturalism, and the relationship between populism, popular culture, and the “national-popular” in conditions of globalization.

This critique and defense of subaltern studies offers a compendium of insights into a new form of knowledge and knowledge production. It will interest those studying postcolonialism, political science, cultural studies, and Latin American culture, history, and literature.

More books from Duke University Press

Cover of the book Queen for a Day by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Tough Love by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book The Beautiful Generation by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Tracking Europe by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Mestizo Genomics by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Archives of Empire by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Trumpets in the Mountains by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book The Borders of Dominicanidad by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Chinese Visions of World Order by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book The Aesthetics of Resistance, Volume I by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Thick Moralities, Thin Politics by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Disease in the History of Modern Latin America by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Cinematic Prophylaxis by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book C. L. R. James in Imperial Britain by John Beverley, Stanley Fish, Fredric Jameson
Cover of the book Mounting Frustration by John Beverley, Stanley Fish, Fredric Jameson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy