Structure and Form in Design

Critical Ideas for Creative Practice

Nonfiction, Art & Architecture, Graphic Art & Design, Science & Nature, Technology, Industrial Design, General Art, General Design
Cover of the book Structure and Form in Design by Michael Hann, Bloomsbury Publishing
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Author: Michael Hann ISBN: 9780857854650
Publisher: Bloomsbury Publishing Publication: August 1, 2013
Imprint: Bloomsbury Academic Language: English
Author: Michael Hann
ISBN: 9780857854650
Publisher: Bloomsbury Publishing
Publication: August 1, 2013
Imprint: Bloomsbury Academic
Language: English

This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed.

In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance.

Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed.

In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance.

Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers.

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