Sounding Off

Rhythm, Music, and Identity in West African and Caribbean Francophone Novels

Fiction & Literature, Literary Theory & Criticism, African, Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology
Cover of the book Sounding Off by Julie Huntington, Temple University Press
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Author: Julie Huntington ISBN: 9781439900338
Publisher: Temple University Press Publication: September 25, 2009
Imprint: Temple University Press Language: English
Author: Julie Huntington
ISBN: 9781439900338
Publisher: Temple University Press
Publication: September 25, 2009
Imprint: Temple University Press
Language: English

Intrigued by "texted" sonorities—the rhythms, musics, ordinary noises, and sounds of language in narratives—Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and Patrick Chamoiseau's Solibo Magnificent (Martinique). Through an ethnomusicological perspective, Huntington argues in Sounding Off that the range of sounds —footsteps, heartbeats, drumbeats—represented in West African and Caribbean works provides a rhythmic polyphony that creates spaces for configuring social and cultural identities.

Huntington’s analysis shows how these writers and others challenge the aesthetic and political conventions that privilege written texts over orality and invite readers-listeners to participate in critical dialogues—to sound off, as it were, in local and global communities.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Intrigued by "texted" sonorities—the rhythms, musics, ordinary noises, and sounds of language in narratives—Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and Patrick Chamoiseau's Solibo Magnificent (Martinique). Through an ethnomusicological perspective, Huntington argues in Sounding Off that the range of sounds —footsteps, heartbeats, drumbeats—represented in West African and Caribbean works provides a rhythmic polyphony that creates spaces for configuring social and cultural identities.

Huntington’s analysis shows how these writers and others challenge the aesthetic and political conventions that privilege written texts over orality and invite readers-listeners to participate in critical dialogues—to sound off, as it were, in local and global communities.

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