Singing with Your Whole Self
A Singer's Guide to Feldenkrais Awareness through Movement
Nonfiction, Entertainment, Music, Instruments & Instruction, Voice
| Author: | Samuel H. Nelson, Elizabeth L. Blades | ISBN: | 9781538107706 |
| Publisher: | Rowman & Littlefield Publishers | Publication: | April 5, 2018 |
| Imprint: | Rowman & Littlefield Publishers | Language: | English |
| Author: | Samuel H. Nelson, Elizabeth L. Blades |
| ISBN: | 9781538107706 |
| Publisher: | Rowman & Littlefield Publishers |
| Publication: | April 5, 2018 |
| Imprint: | Rowman & Littlefield Publishers |
| Language: | English |
Singing with Your Whole Self: A Singer’s Guide to Awareness through Movement teaches performers to use the Feldenkrais Method of neuromuscular education to ameliorate problems of tension, muscle strain, and illness in order to obtain optimal vocal performance. With new lessons and chapters on kinesthetic imagination and neuroplasticity, this second edition features unique, modularized Feldenkrais lessons designed specifically to liberate function in singers and other voice professionals.
The first part of the book presents the theory behind the approach in an easy-to-understand and concrete fashion. The remaining chapters explore anatomy by area and explain usage and problems, as well as how both relate to singing. Finally, an appendix allows performers to find lessons that are most effective for a specific problem. As a valuable exercise guide, the second edition of Singing with Your Whole Self is an essential resource for singers at all levels and in all styles.
Singing with Your Whole Self: A Singer’s Guide to Awareness through Movement teaches performers to use the Feldenkrais Method of neuromuscular education to ameliorate problems of tension, muscle strain, and illness in order to obtain optimal vocal performance. With new lessons and chapters on kinesthetic imagination and neuroplasticity, this second edition features unique, modularized Feldenkrais lessons designed specifically to liberate function in singers and other voice professionals.
The first part of the book presents the theory behind the approach in an easy-to-understand and concrete fashion. The remaining chapters explore anatomy by area and explain usage and problems, as well as how both relate to singing. Finally, an appendix allows performers to find lessons that are most effective for a specific problem. As a valuable exercise guide, the second edition of Singing with Your Whole Self is an essential resource for singers at all levels and in all styles.
