Shylock Must Die

Nonfiction, Entertainment, Humour & Comedy, General Humour, Fiction & Literature, Short Stories
Cover of the book Shylock Must Die by Clive Sinclair, Halban
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Author: Clive Sinclair ISBN: 9781905559954
Publisher: Halban Publication: July 5, 2018
Imprint: Halban Language: English
Author: Clive Sinclair
ISBN: 9781905559954
Publisher: Halban
Publication: July 5, 2018
Imprint: Halban
Language: English

Since his first public appearance in the late 1590s, Shylock has been synonymous with antisemitism. Many of his bon mots remain common currency among Jew-haters; among them "3000 ducats" and the immortal "pound of flesh". But Shakespeare, being Shakespeare, was incapable of inventing anyone so uninteresting; instead he affords Shylock such ambiguity that some of his other lines have become keynotes for believers in shared humanity and tolerance. Following Shakespeare's example these stories – all inspired by The Merchant of Venice – range from the comic to the melancholic. Many pivot on significant productions of the play: Stockholm in 1944, London in 2012, and Venice in 2016. Some are concerned with domestic matters, others with the political, including one – more outrageous than the others – that links Shylock via Israel with the American presidency; most combine both. Running through these linked stories – of which there are seven, like the ages of man – is the cycle of family life, with all its comedy and tragedy.

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Since his first public appearance in the late 1590s, Shylock has been synonymous with antisemitism. Many of his bon mots remain common currency among Jew-haters; among them "3000 ducats" and the immortal "pound of flesh". But Shakespeare, being Shakespeare, was incapable of inventing anyone so uninteresting; instead he affords Shylock such ambiguity that some of his other lines have become keynotes for believers in shared humanity and tolerance. Following Shakespeare's example these stories – all inspired by The Merchant of Venice – range from the comic to the melancholic. Many pivot on significant productions of the play: Stockholm in 1944, London in 2012, and Venice in 2016. Some are concerned with domestic matters, others with the political, including one – more outrageous than the others – that links Shylock via Israel with the American presidency; most combine both. Running through these linked stories – of which there are seven, like the ages of man – is the cycle of family life, with all its comedy and tragedy.

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