Sheep's Vigil by a Fervent Person: A transelation of Alberto Caeiro / Fernando Pessoa's O Guardador de Rebanhos

Fiction & Literature, Poetry, Continental European
Cover of the book Sheep's Vigil by a Fervent Person: A transelation of Alberto Caeiro / Fernando Pessoa's O Guardador de Rebanhos by Erin Moure, House of Anansi Press Inc
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Erin Moure ISBN: 9780887849244
Publisher: House of Anansi Press Inc Publication: December 15, 2009
Imprint: Language: English
Author: Erin Moure
ISBN: 9780887849244
Publisher: House of Anansi Press Inc
Publication: December 15, 2009
Imprint:
Language: English
A temporary move to Toronto in the winter of 2000, a twisted ankle, an empty house -- all inspired Moure as she read Alberto Caeiro/Fernando Pessoa's classic long poem O Guardador de Rebanhos. For fun, she started to translate, altering tones and vocabularies. From the Portuguese countryside and roaming sheep of 1914, a 21st century Toronto emerged, its neighbourhoods still echoing the 1950s, their dips and hollows, hordes of wild cats, paved creeks. Her poem became a translation, a transcreation, the jubilant and irrepressible vigil of a fervent person. "Suddenly," says Moure impishly, "I had found my master." Caeiro's sheep were his thoughts and his thoughts, he claimed, were all sensations. Moure's sheep are stray cats and from her place in Caeiro's poetry, she creates a woman alive in an urban world where the rural has not vanished, where the archaic suffuses us even when we do not beckon it, and yet the present tense floods us fully.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
A temporary move to Toronto in the winter of 2000, a twisted ankle, an empty house -- all inspired Moure as she read Alberto Caeiro/Fernando Pessoa's classic long poem O Guardador de Rebanhos. For fun, she started to translate, altering tones and vocabularies. From the Portuguese countryside and roaming sheep of 1914, a 21st century Toronto emerged, its neighbourhoods still echoing the 1950s, their dips and hollows, hordes of wild cats, paved creeks. Her poem became a translation, a transcreation, the jubilant and irrepressible vigil of a fervent person. "Suddenly," says Moure impishly, "I had found my master." Caeiro's sheep were his thoughts and his thoughts, he claimed, were all sensations. Moure's sheep are stray cats and from her place in Caeiro's poetry, she creates a woman alive in an urban world where the rural has not vanished, where the archaic suffuses us even when we do not beckon it, and yet the present tense floods us fully.

More books from House of Anansi Press Inc

Cover of the book Notorious by Erin Moure
Cover of the book Degrees of Nakedness by Erin Moure
Cover of the book Can the World Tolerate an Iran with Nuclear Weapons? by Erin Moure
Cover of the book The Immaculate Conception by Erin Moure
Cover of the book El Niño by Erin Moure
Cover of the book Should the West Engage Putin’s Russia? by Erin Moure
Cover of the book Power Shift by Erin Moure
Cover of the book Chicken by Erin Moure
Cover of the book Mermaids and Ikons by Erin Moure
Cover of the book Open by Erin Moure
Cover of the book The Bush Garden by Erin Moure
Cover of the book Midsummer Night in the Workhouse by Erin Moure
Cover of the book Liminal by Erin Moure
Cover of the book Without the Moon by Erin Moure
Cover of the book Travels Through the Golden State by Erin Moure
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy