Royal Spectacle

The 1860 Visit of the Prince of Wales to Canada and the United States

Nonfiction, History, Canada, Americas, United States, 19th Century, British
Cover of the book Royal Spectacle by Ian Radforth, University of Toronto Press, Scholarly Publishing Division
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ian Radforth ISBN: 9781442659100
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: December 15, 2004
Imprint: Language: English
Author: Ian Radforth
ISBN: 9781442659100
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: December 15, 2004
Imprint:
Language: English

In 1860, Queen Victoria sent her eighteen-year-old son, Albert Edward, Prince of Wales, on a goodwill mission to Canada and the United States. The young heir-apparent (later King Edward VII) had not yet gained his reputation as a fashion setter and rake, but he nevertheless attracted enormous crowds both in Canada, where it was the first royal visit, and in the United States. Civic leaders hosted the visitor in princely style, decorating their towns with triumphal arches and organizing royal entries, public processions, openings, and grand balls.

In Royal Spectacle, Ian Radforth recreates these displays of civic pride by making use of the many public and private accounts of them, and he analyses the heated controversies the visit provoked. When communities rushed to honour the prince and put themselves on display, social divisions inadvertently became part of the spectacle seen by the prince and described by visiting journalists. Street theatre reached a climax in Kingston, where the Prince of Wales could not disembark from his steamer because of the defiance of thousands of Orangemen dressed in their brilliant regalia and waiving their banners.

Contemporary depictions of the tour provide an opportunity to interpret the cultural values and social differences that shaped Canada during the Confederation decade and the United States on the eve of the Civil War. Topics explored include Orange-Green conflict, First Nations and the politics of public display, contested representations of race and gender, the tourist gaze, and meanings of crown and empire. An original and erudite study, Royal Spectacle contributes greatly to historical research on public spectacle, colonial and national identities, Britishness in the Atlantic world, and the history of the monarchy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In 1860, Queen Victoria sent her eighteen-year-old son, Albert Edward, Prince of Wales, on a goodwill mission to Canada and the United States. The young heir-apparent (later King Edward VII) had not yet gained his reputation as a fashion setter and rake, but he nevertheless attracted enormous crowds both in Canada, where it was the first royal visit, and in the United States. Civic leaders hosted the visitor in princely style, decorating their towns with triumphal arches and organizing royal entries, public processions, openings, and grand balls.

In Royal Spectacle, Ian Radforth recreates these displays of civic pride by making use of the many public and private accounts of them, and he analyses the heated controversies the visit provoked. When communities rushed to honour the prince and put themselves on display, social divisions inadvertently became part of the spectacle seen by the prince and described by visiting journalists. Street theatre reached a climax in Kingston, where the Prince of Wales could not disembark from his steamer because of the defiance of thousands of Orangemen dressed in their brilliant regalia and waiving their banners.

Contemporary depictions of the tour provide an opportunity to interpret the cultural values and social differences that shaped Canada during the Confederation decade and the United States on the eve of the Civil War. Topics explored include Orange-Green conflict, First Nations and the politics of public display, contested representations of race and gender, the tourist gaze, and meanings of crown and empire. An original and erudite study, Royal Spectacle contributes greatly to historical research on public spectacle, colonial and national identities, Britishness in the Atlantic world, and the history of the monarchy.

More books from University of Toronto Press, Scholarly Publishing Division

Cover of the book Wooden Os by Ian Radforth
Cover of the book Out of Place by Ian Radforth
Cover of the book Tumultuous Decade by Ian Radforth
Cover of the book Human Security by Ian Radforth
Cover of the book Lyle Creelman by Ian Radforth
Cover of the book Allied Power by Ian Radforth
Cover of the book Essays on Private Law by Ian Radforth
Cover of the book Peirce, Signs, and Meaning by Ian Radforth
Cover of the book The Denison Family of Toronto by Ian Radforth
Cover of the book Supporting Institutions and Services by Ian Radforth
Cover of the book On Freedom, Love, and Power by Ian Radforth
Cover of the book The Courts, the Charter, and the Schools by Ian Radforth
Cover of the book The Politics and Poetics of Contemporary English Tragedy by Ian Radforth
Cover of the book Broadcasting Policy in Canada, Second Edition by Ian Radforth
Cover of the book Under New Public Management by Ian Radforth
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy