Author: | Richard Mallinson | ISBN: | 9781481781305 |
Publisher: | AuthorHouse UK | Publication: | January 24, 2013 |
Imprint: | AuthorHouse UK | Language: | English |
Author: | Richard Mallinson |
ISBN: | 9781481781305 |
Publisher: | AuthorHouse UK |
Publication: | January 24, 2013 |
Imprint: | AuthorHouse UK |
Language: | English |
At only a page each in length, Richard Mallinsons elegantly structured short stories are a pithy fast fiction for a modern multimedia age. A rapid succession of carefully worked observations, the stories read like a dynamic anthology of lifes collisions and interactions, its projected plans and unexpected rotations. There is a great joy in the subverted (the interviewer becomes the interviewee; the private detective becomes the conspirator) as well as an interest in the open-ended. Possibility abounds, for these are always tales of the present; the past is unclear and the future unwritten. Adhering to the strict one-page format, the writing is marvelously precise: it is highly disciplined, but infinitely rich, conjuring the most unique and sharply observed characters with remarkably few words. If indeed we read fiction . . . in order to meet individuals as the character Tolson declares in Mallinsons Tolsons Creed, then in this anthology we are introduced to a plethora of distinct personalities, rendered all the more compelling by their relentless unpredictability.
At only a page each in length, Richard Mallinsons elegantly structured short stories are a pithy fast fiction for a modern multimedia age. A rapid succession of carefully worked observations, the stories read like a dynamic anthology of lifes collisions and interactions, its projected plans and unexpected rotations. There is a great joy in the subverted (the interviewer becomes the interviewee; the private detective becomes the conspirator) as well as an interest in the open-ended. Possibility abounds, for these are always tales of the present; the past is unclear and the future unwritten. Adhering to the strict one-page format, the writing is marvelously precise: it is highly disciplined, but infinitely rich, conjuring the most unique and sharply observed characters with remarkably few words. If indeed we read fiction . . . in order to meet individuals as the character Tolson declares in Mallinsons Tolsons Creed, then in this anthology we are introduced to a plethora of distinct personalities, rendered all the more compelling by their relentless unpredictability.