Representation in Scientific Practice Revisited

Nonfiction, Science & Nature, Science, Social & Cultural Studies, Social Science
Cover of the book Representation in Scientific Practice Revisited by Morana Alac, Rachel Prentice, Michael Barany, Donald Mackenzie, Sarah de Rijcke, Anne Beaulieu, Natasha Myers, Martin Ruivenkamp, Arie Rip, Annamaria Carusi, Aud Sissel Hoel, Cyrus C. M. Mody, Emma Frow, Yann Giraud, Joseph Dumit, Lucy Suchman, John Law, Martin Kemp, Bruno Latour, Michael E. Lynch, Steve Woolgar, Catelijne Coopmans, Janet Vertesi, Lorraine Daston, The MIT Press
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Author: Morana Alac, Rachel Prentice, Michael Barany, Donald Mackenzie, Sarah de Rijcke, Anne Beaulieu, Natasha Myers, Martin Ruivenkamp, Arie Rip, Annamaria Carusi, Aud Sissel Hoel, Cyrus C. M. Mody, Emma Frow, Yann Giraud, Joseph Dumit, Lucy Suchman, John Law, Martin Kemp, Bruno Latour, Michael E. Lynch, Steve Woolgar, Catelijne Coopmans, Janet Vertesi, Lorraine Daston ISBN: 9780262319164
Publisher: The MIT Press Publication: January 3, 2014
Imprint: The MIT Press Language: English
Author: Morana Alac, Rachel Prentice, Michael Barany, Donald Mackenzie, Sarah de Rijcke, Anne Beaulieu, Natasha Myers, Martin Ruivenkamp, Arie Rip, Annamaria Carusi, Aud Sissel Hoel, Cyrus C. M. Mody, Emma Frow, Yann Giraud, Joseph Dumit, Lucy Suchman, John Law, Martin Kemp, Bruno Latour, Michael E. Lynch, Steve Woolgar, Catelijne Coopmans, Janet Vertesi, Lorraine Daston
ISBN: 9780262319164
Publisher: The MIT Press
Publication: January 3, 2014
Imprint: The MIT Press
Language: English

A fresh approach to visualization practices in the sciences that considers novel forms of imaging technology and draws on recent theoretical perspectives on representation.

Representation in Scientific Practice, published by the MIT Press in 1990, helped coalesce a long-standing interest in scientific visualization among historians, philosophers, and sociologists of science and remains a touchstone for current investigations in science and technology studies. This volume revisits the topic, taking into account both the changing conceptual landscape of STS and the emergence of new imaging technologies in scientific practice. It offers cutting-edge research on a broad array of fields that study information as well as short reflections on the evolution of the field by leading scholars, including some of the contributors to the 1990 volume.

The essays consider the ways in which viewing experiences are crafted in the digital era; the embodied nature of work with digital technologies; the constitutive role of materials and technologies—from chalkboards to brain scans—in the production of new scientific knowledge; the metaphors and images mobilized by communities of practice; and the status and significance of scientific imagery in professional and popular culture.

Contributors
Morana Alac, Michael Barany, Anne Beaulieu, Annamaria Carusi, Catelijne Coopmans, Lorraine Daston, Sarah de Rijcke, Joseph Dumit, Emma Frow, Yann Giraud, Aud Sissel Hoel, Martin Kemp, Bruno Latour, John Law, Michael Lynch, Donald MacKenzie, Cyrus Mody, Natasha Myers, Rachel Prentice, Arie Rip, Martin Ruivenkamp, Lucy Suchman, Janet Vertesi, Steve Woolgar

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A fresh approach to visualization practices in the sciences that considers novel forms of imaging technology and draws on recent theoretical perspectives on representation.

Representation in Scientific Practice, published by the MIT Press in 1990, helped coalesce a long-standing interest in scientific visualization among historians, philosophers, and sociologists of science and remains a touchstone for current investigations in science and technology studies. This volume revisits the topic, taking into account both the changing conceptual landscape of STS and the emergence of new imaging technologies in scientific practice. It offers cutting-edge research on a broad array of fields that study information as well as short reflections on the evolution of the field by leading scholars, including some of the contributors to the 1990 volume.

The essays consider the ways in which viewing experiences are crafted in the digital era; the embodied nature of work with digital technologies; the constitutive role of materials and technologies—from chalkboards to brain scans—in the production of new scientific knowledge; the metaphors and images mobilized by communities of practice; and the status and significance of scientific imagery in professional and popular culture.

Contributors
Morana Alac, Michael Barany, Anne Beaulieu, Annamaria Carusi, Catelijne Coopmans, Lorraine Daston, Sarah de Rijcke, Joseph Dumit, Emma Frow, Yann Giraud, Aud Sissel Hoel, Martin Kemp, Bruno Latour, John Law, Michael Lynch, Donald MacKenzie, Cyrus Mody, Natasha Myers, Rachel Prentice, Arie Rip, Martin Ruivenkamp, Lucy Suchman, Janet Vertesi, Steve Woolgar

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