Reading Japan Cool

Patterns of Manga Literacy and Discourse

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Fiction & Literature, Literary Theory & Criticism
Cover of the book Reading Japan Cool by Kate Allen, John E. Ingulsrud, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kate Allen, John E. Ingulsrud ISBN: 9780739135075
Publisher: Lexington Books Publication: February 3, 2010
Imprint: Lexington Books Language: English
Author: Kate Allen, John E. Ingulsrud
ISBN: 9780739135075
Publisher: Lexington Books
Publication: February 3, 2010
Imprint: Lexington Books
Language: English

Japanese animation, video games, and manga have attracted fans around the world. The characters, the stories, and the sensibilities that come out of these cultural products are together called Japan Cool. This is not a sudden fad, but is rooted in manga—Japanese comics—which since the mid-1940s have developed in an exponential way. In spite of a gradual decline in readership, manga still commands over a third of the publishing output. The volume of manga works that is being produced and has been through history is enormous. There are manga publications that attract readers of all ages and genders. The diversity in content attracts readers well into adulthood. Surveys on reading practices have found that almost all Japanese people read manga or have done so at some point in their lives. The skills of reading manga are learned by readers themselves, but learned in the context of other readers and in tandem with school learning. Manga reading practices are sustained by the practices of other readers, and manga content therefore serves as a topic of conversation for both families and friends. Moreover, manga is one of the largest sources of content for media production in film, television, and video games. Manga literacy, the practices of the readers, the diversity of titles, and the sheer number of works provide the basis for the movement recognized as Japan Cool. Reading Japan Cool is directed at an audience of students of Japanese studies, discourse analysts, educators, parents, and manga readers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Japanese animation, video games, and manga have attracted fans around the world. The characters, the stories, and the sensibilities that come out of these cultural products are together called Japan Cool. This is not a sudden fad, but is rooted in manga—Japanese comics—which since the mid-1940s have developed in an exponential way. In spite of a gradual decline in readership, manga still commands over a third of the publishing output. The volume of manga works that is being produced and has been through history is enormous. There are manga publications that attract readers of all ages and genders. The diversity in content attracts readers well into adulthood. Surveys on reading practices have found that almost all Japanese people read manga or have done so at some point in their lives. The skills of reading manga are learned by readers themselves, but learned in the context of other readers and in tandem with school learning. Manga reading practices are sustained by the practices of other readers, and manga content therefore serves as a topic of conversation for both families and friends. Moreover, manga is one of the largest sources of content for media production in film, television, and video games. Manga literacy, the practices of the readers, the diversity of titles, and the sheer number of works provide the basis for the movement recognized as Japan Cool. Reading Japan Cool is directed at an audience of students of Japanese studies, discourse analysts, educators, parents, and manga readers.

More books from Lexington Books

Cover of the book Walker Percy and the Politics of the Wayfarer by Kate Allen, John E. Ingulsrud
Cover of the book Mystical Science and Practical Religion by Kate Allen, John E. Ingulsrud
Cover of the book Rhetoric, Humor, and the Public Sphere by Kate Allen, John E. Ingulsrud
Cover of the book Mosh the Polls by Kate Allen, John E. Ingulsrud
Cover of the book Deconstructing Global Citizenship by Kate Allen, John E. Ingulsrud
Cover of the book I Was a Doctor in Auschwitz by Kate Allen, John E. Ingulsrud
Cover of the book The Perplexity of a Muslim Woman by Kate Allen, John E. Ingulsrud
Cover of the book Against Authenticity by Kate Allen, John E. Ingulsrud
Cover of the book The Ruling Ideas by Kate Allen, John E. Ingulsrud
Cover of the book Mereologies, Ontologies, and Facets by Kate Allen, John E. Ingulsrud
Cover of the book The Site of the Convent of the Holy Infant Jesus in Singapore by Kate Allen, John E. Ingulsrud
Cover of the book Dwight Eisenhower and American Foreign Policy during the 1960s by Kate Allen, John E. Ingulsrud
Cover of the book Images of Water in Isaiah by Kate Allen, John E. Ingulsrud
Cover of the book Punk Record Labels and the Struggle for Autonomy by Kate Allen, John E. Ingulsrud
Cover of the book National Basketball Association Franchises by Kate Allen, John E. Ingulsrud
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy