Raphael and the Redefinition of Art in Renaissance Italy

Nonfiction, Art & Architecture, General Art, Biography & Memoir, History
Cover of the book Raphael and the Redefinition of Art in Renaissance Italy by Robert Williams, Cambridge University Press
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Author: Robert Williams ISBN: 9781108145787
Publisher: Cambridge University Press Publication: April 3, 2017
Imprint: Cambridge University Press Language: English
Author: Robert Williams
ISBN: 9781108145787
Publisher: Cambridge University Press
Publication: April 3, 2017
Imprint: Cambridge University Press
Language: English

Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.

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Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.

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