Radical Frontiers in the Spaghetti Western
Politics, Violence and Popular Italian Cinema
Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
| Author: | Prof Austin Fisher | ISBN: | 9780857737700 |
| Publisher: | Bloomsbury Publishing | Publication: | February 6, 2014 |
| Imprint: | I.B. Tauris | Language: | English |
| Author: | Prof Austin Fisher |
| ISBN: | 9780857737700 |
| Publisher: | Bloomsbury Publishing |
| Publication: | February 6, 2014 |
| Imprint: | I.B. Tauris |
| Language: | English |
Ever more popular in the age of DVDs and online fandom, the Spaghetti Westerns of the 1960s have undergone a mainstream renaissance which has nevertheless left their relationship to the troubled politics of 1960s Italy unexamined. Radical Frontiers in the Spaghetti Western reappraises the genre in relation to the revolutionary New Left and the events of 1968 to uncover the complexities of a cinematic milieu often dismissed as formulaic. Establishing the backdrop of postwar Italy in which the Roman studio system actively blended Italian and American culture, Austin Fisher looks in detail at the works of Damiano Damiani, Sergio Sollima, Sergio Corbucci, Giulio Questi and Giulio Petroni, revealing how these directors reformatted the Hollywood Western to yield new resonance for militant constituencies and radical groups. Radical Frontiers in the Spaghetti Western identifies the main variants of these militant Westerns, which brazenly endorsed violent peasant insurrection in the 'Mexico' of the popular imagination, turning the camera on the hitherto heroic colonialists of the West and exposing the brutal mechanisms of a society infested with latent fascism. The ways in which the films' artistic failures reflect
the ideological confusions of the radical groups is examined and the genre's legacy is reappraised, as the revolutionary energy of Italy's New Left becomes subsumed amidst the conflicting agendas of New Hollywood, blaxploitation and the
'grindhouse' revival of Tarantino, Rodriguez and Raimi.
Ever more popular in the age of DVDs and online fandom, the Spaghetti Westerns of the 1960s have undergone a mainstream renaissance which has nevertheless left their relationship to the troubled politics of 1960s Italy unexamined. Radical Frontiers in the Spaghetti Western reappraises the genre in relation to the revolutionary New Left and the events of 1968 to uncover the complexities of a cinematic milieu often dismissed as formulaic. Establishing the backdrop of postwar Italy in which the Roman studio system actively blended Italian and American culture, Austin Fisher looks in detail at the works of Damiano Damiani, Sergio Sollima, Sergio Corbucci, Giulio Questi and Giulio Petroni, revealing how these directors reformatted the Hollywood Western to yield new resonance for militant constituencies and radical groups. Radical Frontiers in the Spaghetti Western identifies the main variants of these militant Westerns, which brazenly endorsed violent peasant insurrection in the 'Mexico' of the popular imagination, turning the camera on the hitherto heroic colonialists of the West and exposing the brutal mechanisms of a society infested with latent fascism. The ways in which the films' artistic failures reflect
the ideological confusions of the radical groups is examined and the genre's legacy is reappraised, as the revolutionary energy of Italy's New Left becomes subsumed amidst the conflicting agendas of New Hollywood, blaxploitation and the
'grindhouse' revival of Tarantino, Rodriguez and Raimi.
