Quentin Tarantino

Poetics and Politics of Cinematic Metafiction

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book Quentin Tarantino by David Roche, University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David Roche ISBN: 9781496819178
Publisher: University Press of Mississippi Publication: September 17, 2018
Imprint: University Press of Mississippi Language: English
Author: David Roche
ISBN: 9781496819178
Publisher: University Press of Mississippi
Publication: September 17, 2018
Imprint: University Press of Mississippi
Language: English

Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification.

Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).

Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification.

Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).

Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.

More books from University Press of Mississippi

Cover of the book Black Baseball, Black Business by David Roche
Cover of the book Joan Blondell by David Roche
Cover of the book Chris Ware by David Roche
Cover of the book Without Regard to Race by David Roche
Cover of the book Joe T. Patterson and the White South's Dilemma by David Roche
Cover of the book Confederate Industry by David Roche
Cover of the book A Lifetime Burning by David Roche
Cover of the book Professional Wrestling by David Roche
Cover of the book Strangers on Their Native Soil by David Roche
Cover of the book Kathryn Bigelow by David Roche
Cover of the book Conversations with Edna O'Brien by David Roche
Cover of the book Sports Crazy by David Roche
Cover of the book Perspectives on Richard Ford by David Roche
Cover of the book A Cormac McCarthy Companion by David Roche
Cover of the book Lincoln Apostate by David Roche
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy