Prehistoric rock art in Scandinavia

Agency and Environmental Change

Nonfiction, Art & Architecture, Art Technique, General Art
Cover of the book Prehistoric rock art in Scandinavia by Courtney Nimura, Oxbow Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Courtney Nimura ISBN: 9781785701207
Publisher: Oxbow Books Publication: November 30, 2015
Imprint: Oxbow Books Language: English
Author: Courtney Nimura
ISBN: 9781785701207
Publisher: Oxbow Books
Publication: November 30, 2015
Imprint: Oxbow Books
Language: English

Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape

Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities.

Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape

Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities.

Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.

More books from Oxbow Books

Cover of the book Art, Artisans and Apprentices by Courtney Nimura
Cover of the book Roman Crete: New Perspectives by Courtney Nimura
Cover of the book Boats, Ships and Shipyards by Courtney Nimura
Cover of the book Rock Art Studies - News of the World Volume 3 by Courtney Nimura
Cover of the book Romano-British Settlement and Cemeteries at Mucking by Courtney Nimura
Cover of the book Glass of the Roman World by Courtney Nimura
Cover of the book Current Research in Egyptology 14 (2013) by Courtney Nimura
Cover of the book The Ancient Red Sea Port of Adulis, Eritrea by Courtney Nimura
Cover of the book Quality Management in Archaeology by Courtney Nimura
Cover of the book Locating the Sacred by Courtney Nimura
Cover of the book KOINE by Courtney Nimura
Cover of the book Decoding Neolithic Atlantic and Mediterranean Island Ritual by Courtney Nimura
Cover of the book Economic Zooarchaeology by Courtney Nimura
Cover of the book Appropriating Innovations by Courtney Nimura
Cover of the book Journal of Roman Pottery Studies Volume 16 by Courtney Nimura
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy