Post-Apocalyptic Patriarchy

American Television and Gendered Visions of Survival

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Gender Studies
Cover of the book Post-Apocalyptic Patriarchy by Carlen Lavigne, McFarland & Company, Inc., Publishers
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Author: Carlen Lavigne ISBN: 9781476634456
Publisher: McFarland & Company, Inc., Publishers Publication: September 26, 2018
Imprint: Language: English
Author: Carlen Lavigne
ISBN: 9781476634456
Publisher: McFarland & Company, Inc., Publishers
Publication: September 26, 2018
Imprint:
Language: English

Twenty-first century American television series such as Revolution, Falling Skies, The Last Ship and The Walking Dead have depicted a variety of doomsday scenarios—nuclear cataclysm, rogue artificial intelligence, pandemic, alien invasion or zombie uprising. These scenarios speak to longstanding societal anxieties and contemporary calamities like 9/11 or the avian flu epidemic. Questions about post-apocalyptic television abound: whose voices are represented? What tomorrows are they most afraid of? What does this tell us about the world we live in today? The author analyzes these speculative futures in terms of gender, race and sexuality, revealing the fears and ambitions of a patriarchy in flux, as exemplified by the “return” to a mythical American frontier where the white male hero fights for survival, protects his family and crafts a new world order based on the old.

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Twenty-first century American television series such as Revolution, Falling Skies, The Last Ship and The Walking Dead have depicted a variety of doomsday scenarios—nuclear cataclysm, rogue artificial intelligence, pandemic, alien invasion or zombie uprising. These scenarios speak to longstanding societal anxieties and contemporary calamities like 9/11 or the avian flu epidemic. Questions about post-apocalyptic television abound: whose voices are represented? What tomorrows are they most afraid of? What does this tell us about the world we live in today? The author analyzes these speculative futures in terms of gender, race and sexuality, revealing the fears and ambitions of a patriarchy in flux, as exemplified by the “return” to a mythical American frontier where the white male hero fights for survival, protects his family and crafts a new world order based on the old.

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