Political Beethoven

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Political Beethoven by Nicholas Mathew, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nicholas Mathew ISBN: 9781139610056
Publisher: Cambridge University Press Publication: December 20, 2012
Imprint: Cambridge University Press Language: English
Author: Nicholas Mathew
ISBN: 9781139610056
Publisher: Cambridge University Press
Publication: December 20, 2012
Imprint: Cambridge University Press
Language: English

Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven, Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven, Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day.

More books from Cambridge University Press

Cover of the book The Italian Army and the First World War by Nicholas Mathew
Cover of the book The Epistemic Dimensions of Ignorance by Nicholas Mathew
Cover of the book Contending Visions of the Middle East by Nicholas Mathew
Cover of the book Modernism and Masculinity by Nicholas Mathew
Cover of the book Interpreting Scriptures in Judaism, Christianity and Islam by Nicholas Mathew
Cover of the book Molecular Forces and Self Assembly by Nicholas Mathew
Cover of the book Attosecond and Strong-Field Physics by Nicholas Mathew
Cover of the book Government versus Markets by Nicholas Mathew
Cover of the book International and Comparative Criminal Justice and Urban Governance by Nicholas Mathew
Cover of the book Astrophysics for Physicists by Nicholas Mathew
Cover of the book Interpreting Gödel by Nicholas Mathew
Cover of the book Fiscal Regimes and the Political Economy of Premodern States by Nicholas Mathew
Cover of the book Regular and Irregular Holonomic D-Modules by Nicholas Mathew
Cover of the book Reading Piers Plowman by Nicholas Mathew
Cover of the book Legal Perspectives on Security Institutions by Nicholas Mathew
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy