Phenomenology and the Arts

Nonfiction, Religion & Spirituality, Philosophy, Phenomenology, Aesthetics
Cover of the book Phenomenology and the Arts by John Russon, Galen A. Johnson, John Lysaker, Brian Rogers, Christian Lotz, Scott Marratto, Kirsten Jacobson, Susan Bredlau, Laura McMahon, Jeff Morrisey, Matthew Goodwin, David Ciavatta, Peter R. Costello, A. Licia Carlson, Lexington Books
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Author: John Russon, Galen A. Johnson, John Lysaker, Brian Rogers, Christian Lotz, Scott Marratto, Kirsten Jacobson, Susan Bredlau, Laura McMahon, Jeff Morrisey, Matthew Goodwin, David Ciavatta, Peter R. Costello, A. Licia Carlson ISBN: 9781498506519
Publisher: Lexington Books Publication: September 30, 2016
Imprint: Lexington Books Language: English
Author: John Russon, Galen A. Johnson, John Lysaker, Brian Rogers, Christian Lotz, Scott Marratto, Kirsten Jacobson, Susan Bredlau, Laura McMahon, Jeff Morrisey, Matthew Goodwin, David Ciavatta, Peter R. Costello, A. Licia Carlson
ISBN: 9781498506519
Publisher: Lexington Books
Publication: September 30, 2016
Imprint: Lexington Books
Language: English

Phenomenology and the Arts develops the interplay between phenomenology as a historical movement and a descriptive method within Continental philosophy and the arts. Divided into five themes, the book explores first how the phenomenological method itself is a kind of artistic endeavor that mirrors what it approaches when it turns to describe paintings, dramas, literature, and music. From there, the book turns to an analysis and commentary on specific works of art within the visual arts, literature, music, and sculpture. Contributors analyze important historical figures in phenomenology—Kant, Hegel, Husserl, Heidegger, and Merleau-Ponty. But there is also a good deal of work on art itself—Warhol, Klee, jazz, and contemporary and renaissance artists and artworks.
Edited by Peter R. Costello and Licia Carlson, this book will be of interest to students in philosophy, the arts, and the humanities in general, and scholars of phenomenology will notice incredibly rich, groundbreaking research that helps to resituate canonical figures in phenomenology with respect to what their works can be used to describe.

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Phenomenology and the Arts develops the interplay between phenomenology as a historical movement and a descriptive method within Continental philosophy and the arts. Divided into five themes, the book explores first how the phenomenological method itself is a kind of artistic endeavor that mirrors what it approaches when it turns to describe paintings, dramas, literature, and music. From there, the book turns to an analysis and commentary on specific works of art within the visual arts, literature, music, and sculpture. Contributors analyze important historical figures in phenomenology—Kant, Hegel, Husserl, Heidegger, and Merleau-Ponty. But there is also a good deal of work on art itself—Warhol, Klee, jazz, and contemporary and renaissance artists and artworks.
Edited by Peter R. Costello and Licia Carlson, this book will be of interest to students in philosophy, the arts, and the humanities in general, and scholars of phenomenology will notice incredibly rich, groundbreaking research that helps to resituate canonical figures in phenomenology with respect to what their works can be used to describe.

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