Percy Moore Turner

Connoisseur, Impresario and Art Dealer

Nonfiction, Art & Architecture, General Art, Individual Artist, Artists, Architects & Photographers
Cover of the book Percy Moore Turner by Sarah A. M. Turner, Unicorn Publishing Group
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sarah A. M. Turner ISBN: 9781911604662
Publisher: Unicorn Publishing Group Publication: April 12, 2018
Imprint: Unicorn Language: English
Author: Sarah A. M. Turner
ISBN: 9781911604662
Publisher: Unicorn Publishing Group
Publication: April 12, 2018
Imprint: Unicorn
Language: English

Grudgingly acknowledged as the main mentor for the Courtaulds in building their art collections, the London and Paris art dealer, Percy Moore Turner, is now largely forgotten in this country. Yet, in France, he was honoured by the French Government with the award of Officer and then Commander of the Legion d’Honneur and feted by the Museums of France with specially struck medals. In this, the first biography of Percy Moore Turner, his granddaughter, who has access to his few remaining business papers and unpublished autobiography, has researched his life and career. Involved with the Bloomsbury Group from before the First World War, he was actively courted by Roger Fry at the end of the War to manage an artists’ association for them when Turner was still serving in the Army. Instead, Turner promoted them when he opened his London Gallery with some success until 1925 when the Group, embarrassed by the financial losses caused by them to him, ‘sacked’ him on friendly terms. Born in Halifax in 1877 into a family of hosiers and haberdashers, Turner’s life and career spanned two World Wars and periods of economic volatility. He tirelessly promoted modern French art internationally and built up a client base which included Dr Albert Barnes, John Quinn, Charles Lang Freer, Samuel Courtauld, Russell Colman and Frank Hindley Smith. A longstanding friend of Kenneth Clark, Turner strove to ensure that his own art collection was placed appropriately in museums and galleries throughout Britain and France, considering himself merely the custodian of the pictures he owned. Contents: 1. Childhood - Halifax to Norwich 2. Getting started 3. Gallery Barbazanges 4. Starting again – The Independent Gallery 5. Exhibitions and the Oxford Arts Club 6. The War Years 1939-1945 7. The Final Years 8. Photographs and Illustrations 9. Postscript 10. Acknowledgements 11. Abbreviations 12. Index

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Grudgingly acknowledged as the main mentor for the Courtaulds in building their art collections, the London and Paris art dealer, Percy Moore Turner, is now largely forgotten in this country. Yet, in France, he was honoured by the French Government with the award of Officer and then Commander of the Legion d’Honneur and feted by the Museums of France with specially struck medals. In this, the first biography of Percy Moore Turner, his granddaughter, who has access to his few remaining business papers and unpublished autobiography, has researched his life and career. Involved with the Bloomsbury Group from before the First World War, he was actively courted by Roger Fry at the end of the War to manage an artists’ association for them when Turner was still serving in the Army. Instead, Turner promoted them when he opened his London Gallery with some success until 1925 when the Group, embarrassed by the financial losses caused by them to him, ‘sacked’ him on friendly terms. Born in Halifax in 1877 into a family of hosiers and haberdashers, Turner’s life and career spanned two World Wars and periods of economic volatility. He tirelessly promoted modern French art internationally and built up a client base which included Dr Albert Barnes, John Quinn, Charles Lang Freer, Samuel Courtauld, Russell Colman and Frank Hindley Smith. A longstanding friend of Kenneth Clark, Turner strove to ensure that his own art collection was placed appropriately in museums and galleries throughout Britain and France, considering himself merely the custodian of the pictures he owned. Contents: 1. Childhood - Halifax to Norwich 2. Getting started 3. Gallery Barbazanges 4. Starting again – The Independent Gallery 5. Exhibitions and the Oxford Arts Club 6. The War Years 1939-1945 7. The Final Years 8. Photographs and Illustrations 9. Postscript 10. Acknowledgements 11. Abbreviations 12. Index

More books from Unicorn Publishing Group

Cover of the book On the Burning of Books by Sarah A. M. Turner
Cover of the book Hamel 4th July 1918 by Sarah A. M. Turner
Cover of the book Never Fear by Sarah A. M. Turner
Cover of the book Knits & Pieces by Sarah A. M. Turner
Cover of the book Lansdowne by Sarah A. M. Turner
Cover of the book A Voyage to War by Sarah A. M. Turner
Cover of the book Moving Heaven and Earth by Sarah A. M. Turner
Cover of the book Eighteenth-Century Women Artists by Sarah A. M. Turner
Cover of the book Painter of Pedigree by Sarah A. M. Turner
Cover of the book Epitaphs of the Great War: Passchendaele by Sarah A. M. Turner
Cover of the book Dynastic Rule by Sarah A. M. Turner
Cover of the book Innocence Slaughtered by Sarah A. M. Turner
Cover of the book Epitaphs of the Great War: The Somme by Sarah A. M. Turner
Cover of the book On the Seven Deadly Sins by Sarah A. M. Turner
Cover of the book Soviet Women and their Art by Sarah A. M. Turner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy