Opera

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Opera by Robert Cannon, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert Cannon ISBN: 9781139209212
Publisher: Cambridge University Press Publication: February 16, 2012
Imprint: Cambridge University Press Language: English
Author: Robert Cannon
ISBN: 9781139209212
Publisher: Cambridge University Press
Publication: February 16, 2012
Imprint: Cambridge University Press
Language: English

What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronologically and avoiding technical musical terminology, the book clearly demonstrates how opera reflected and reacted to changes in the world around it. A special feature of the volume is the inclusion of illustrative tables throughout. These provide detailed, easy to follow analysis of arias, scenes and acts; visual guides to historical movements; and chronologies relating to genres and individual composers' works. Overall, the book fosters an understanding of opera as a living form as it encounters and uses material from an ever expanding repertoire in time, place and culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronologically and avoiding technical musical terminology, the book clearly demonstrates how opera reflected and reacted to changes in the world around it. A special feature of the volume is the inclusion of illustrative tables throughout. These provide detailed, easy to follow analysis of arias, scenes and acts; visual guides to historical movements; and chronologies relating to genres and individual composers' works. Overall, the book fosters an understanding of opera as a living form as it encounters and uses material from an ever expanding repertoire in time, place and culture.

More books from Cambridge University Press

Cover of the book Global Interactions in the Early Modern Age, 1400–1800 by Robert Cannon
Cover of the book Beyond Human Rights by Robert Cannon
Cover of the book Human Intelligence by Robert Cannon
Cover of the book Writing Sounds in Carolingian Europe by Robert Cannon
Cover of the book What Biological Functions Are and Why They Matter by Robert Cannon
Cover of the book Adam Smith and the Character of Virtue by Robert Cannon
Cover of the book Acting in Anaesthesia by Robert Cannon
Cover of the book Automorphisms and Equivalence Relations in Topological Dynamics by Robert Cannon
Cover of the book The Cambridge Companion to Ralph Ellison by Robert Cannon
Cover of the book Neurology in Africa by Robert Cannon
Cover of the book Believing in Shakespeare by Robert Cannon
Cover of the book The World of Tacitus' Dialogus de Oratoribus by Robert Cannon
Cover of the book Claiming the Union by Robert Cannon
Cover of the book The Anthropology of Intentions by Robert Cannon
Cover of the book Public Debt Management by Robert Cannon
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy