Music, Authorship, and the Book in the First Century of Print

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Classical
Cover of the book Music, Authorship, and the Book in the First Century of Print by Kate van Orden, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kate van Orden ISBN: 9780520957114
Publisher: University of California Press Publication: October 19, 2013
Imprint: University of California Press Language: English
Author: Kate van Orden
ISBN: 9780520957114
Publisher: University of California Press
Publication: October 19, 2013
Imprint: University of California Press
Language: English

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

More books from University of California Press

Cover of the book Race Women Internationalists by Kate van Orden
Cover of the book Durable Inequality by Kate van Orden
Cover of the book Plastic Reason by Kate van Orden
Cover of the book Argentina's Missing Bones by Kate van Orden
Cover of the book The Chicano Generation by Kate van Orden
Cover of the book The Catholic Imagination by Kate van Orden
Cover of the book On the Borders of Love and Power by Kate van Orden
Cover of the book Anatomy of Sound by Kate van Orden
Cover of the book Coastal Sage by Kate van Orden
Cover of the book Emerson by Kate van Orden
Cover of the book The Modern Middle East, Third Edition by Kate van Orden
Cover of the book Born Out of Place by Kate van Orden
Cover of the book Good Quality by Kate van Orden
Cover of the book The Anthropology of Catholicism by Kate van Orden
Cover of the book Human Impacts on Seals, Sea Lions, and Sea Otters by Kate van Orden
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy