Methods and Practice of Elizabethan Swordplay

Nonfiction, Entertainment, Performing Arts, Theatre, Stagecraft
Cover of the book Methods and Practice of Elizabethan Swordplay by Craig Turner, Tony Soper, Southern Illinois University Press
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Author: Craig Turner, Tony Soper ISBN: 9780809382156
Publisher: Southern Illinois University Press Publication: April 11, 2016
Imprint: Southern Illinois University Press Language: English
Author: Craig Turner, Tony Soper
ISBN: 9780809382156
Publisher: Southern Illinois University Press
Publication: April 11, 2016
Imprint: Southern Illinois University Press
Language: English

Featuring period drawings and prints of swordplay, this book examines and compares three Elizabethan fencing manuals written in English before 1600: Giacomo Di Grassi’s His True Arte of Defense (1594), Vincentio Saviolo’s His Practice in Two Bookes (1595), and George Silver’s Paradoxes of Defence and Bref Instructions upon My Paradoxes of Defence (1599).

More than a technical manual on swordplay, this book explores the influence of a new form of violence introduced into Elizabethan culture by the invention of the rapier. The authors examine the rapier’s influence on the various social classes, the clash between the traditional English fencing masters and those embracing the new style, the growing concern with unregulated dueling, and the frequent references to rapier play in the works of Shakespeare and his contemporaries.

As producer Joseph Papp notes in his foreword, this is a book that "makes a difference in performance."

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Featuring period drawings and prints of swordplay, this book examines and compares three Elizabethan fencing manuals written in English before 1600: Giacomo Di Grassi’s His True Arte of Defense (1594), Vincentio Saviolo’s His Practice in Two Bookes (1595), and George Silver’s Paradoxes of Defence and Bref Instructions upon My Paradoxes of Defence (1599).

More than a technical manual on swordplay, this book explores the influence of a new form of violence introduced into Elizabethan culture by the invention of the rapier. The authors examine the rapier’s influence on the various social classes, the clash between the traditional English fencing masters and those embracing the new style, the growing concern with unregulated dueling, and the frequent references to rapier play in the works of Shakespeare and his contemporaries.

As producer Joseph Papp notes in his foreword, this is a book that "makes a difference in performance."

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