Men with stakes

Masculinity and the gothic in US television

Fiction & Literature, Literary Theory & Criticism, Gothic & Romantic, Nonfiction, Entertainment, Performing Arts, Television, History & Criticism
Cover of the book Men with stakes by Julia Wright, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julia Wright ISBN: 9781784996284
Publisher: Manchester University Press Publication: January 1, 2016
Imprint: Manchester University Press Language: English
Author: Julia Wright
ISBN: 9781784996284
Publisher: Manchester University Press
Publication: January 1, 2016
Imprint: Manchester University Press
Language: English

Men with stakes builds on recent discussions of television Gothic by examining the ways in which the Gothic mode is deployed specifically to call into question televisual realism and, with it, conventional depictions of masculinity. Released from the mandate of realism to describe the world as it is supposed to be, television Gothic calls attention to the constructedness of gender – and therefore to the possibility of re-imagining men’s agency, authority and the legitimated forms of knowledge with which men are traditionally associated (science in particular). In this context, after an overview of Gothic television’s larger history, this study discusses in some depth seven series from the last two decades: American Gothic, Millennium, Angel, Carnivàle, Point Pleasant, Supernatural and American Horror Story.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Men with stakes builds on recent discussions of television Gothic by examining the ways in which the Gothic mode is deployed specifically to call into question televisual realism and, with it, conventional depictions of masculinity. Released from the mandate of realism to describe the world as it is supposed to be, television Gothic calls attention to the constructedness of gender – and therefore to the possibility of re-imagining men’s agency, authority and the legitimated forms of knowledge with which men are traditionally associated (science in particular). In this context, after an overview of Gothic television’s larger history, this study discusses in some depth seven series from the last two decades: American Gothic, Millennium, Angel, Carnivàle, Point Pleasant, Supernatural and American Horror Story.

More books from Manchester University Press

Cover of the book Domestic fortress by Julia Wright
Cover of the book Crossing the floor by Julia Wright
Cover of the book Making the patient-consumer by Julia Wright
Cover of the book Gas, oil and the Irish state by Julia Wright
Cover of the book Spoiling the peace? by Julia Wright
Cover of the book Gender, nation and conquest in the high Middle Ages by Julia Wright
Cover of the book Destruction and human remains by Julia Wright
Cover of the book The Europeanisation of Conflict Resolutions by Julia Wright
Cover of the book The cruelty man by Julia Wright
Cover of the book The 1989 Revolutions in Central and Eastern Europe by Julia Wright
Cover of the book Chagos Islanders in Mauritius and the UK by Julia Wright
Cover of the book Writing disenchantment by Julia Wright
Cover of the book Space and Being in Contemporary French Cinema by Julia Wright
Cover of the book Poetry for historians by Julia Wright
Cover of the book Sinister histories by Julia Wright
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy