Melville's Captain Ahab as a Literary Antitype

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Melville's Captain Ahab as a Literary Antitype by Silja Rübsamen, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Silja Rübsamen ISBN: 9783638147866
Publisher: GRIN Publishing Publication: October 16, 2002
Imprint: GRIN Publishing Language: English
Author: Silja Rübsamen
ISBN: 9783638147866
Publisher: GRIN Publishing
Publication: October 16, 2002
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: A, University of Massachusetts - Amherst (English Department), course: English 731: Bible - Myth, Society, Literature, 19 entries in the bibliography, language: English, abstract: 1. Introduction: The Bible as a Source Of all sources for Moby-Dick, the Bible, as an inescapable part of his education, was Melville's best and earliest known one. Herman Melville was raised in a pious middle class perception of religion, and broadened his horizon of knowledge about Scripture and its reception throughout the centuries through the study of biblical commentaries, metaphysical essays, sermons, religious poetry, and of course of the 'opposition': stoic, skeptical, and deist literature. No other major writer of Melville's times makes such extensive use of Scripture. Not even Emerson, with an actual career as an Unitarian minister, or Hawthorne, who grew up in a Salem Calvinist family, make a comparable effort to use the Bible as a source, or to imply comparable grave consequences for the world view of both reader and author in their use of it. Raised with the Bible, Melville's biblical allusions appear with such regularity that their use seems 'not studied but involuntarily.' The spontaneity of their occurrence points to the fact that Melville had internalized the contents and styles of Scripture to an extent that made him employ biblical imagery, characters, and themes as if they had sprung from his own mind. There are about 250 obvious allusions to biblical passages in Moby-Dick , and an almost indefinite number of thematic and stylistic borrowings. Throughout Melville's career as an author, the number of allusions to biblical writings continually rises, from only a dozen in his first novel, Typee, to more than 550 in Clarel, the latter being the only work with more references to Scripture than Moby-Dick. In Nathalia Wright's list of the biblical books which Herman Melville marked and commented upon, the books of Ecclesiastes and Job have most markings, right after the Psalms, Matthew, and Isaiah, which suggests 'close connections [...] between the Bibles he read and the books Melville wrote.' Of the passages thoroughly marked the wisdom sentiments in Job, especially the dialogue between Yahweh and Job in Job, ch. 38ff, as well as the short book of Jonah, are most notable for their recurrence as important features of Melville's novels. [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: A, University of Massachusetts - Amherst (English Department), course: English 731: Bible - Myth, Society, Literature, 19 entries in the bibliography, language: English, abstract: 1. Introduction: The Bible as a Source Of all sources for Moby-Dick, the Bible, as an inescapable part of his education, was Melville's best and earliest known one. Herman Melville was raised in a pious middle class perception of religion, and broadened his horizon of knowledge about Scripture and its reception throughout the centuries through the study of biblical commentaries, metaphysical essays, sermons, religious poetry, and of course of the 'opposition': stoic, skeptical, and deist literature. No other major writer of Melville's times makes such extensive use of Scripture. Not even Emerson, with an actual career as an Unitarian minister, or Hawthorne, who grew up in a Salem Calvinist family, make a comparable effort to use the Bible as a source, or to imply comparable grave consequences for the world view of both reader and author in their use of it. Raised with the Bible, Melville's biblical allusions appear with such regularity that their use seems 'not studied but involuntarily.' The spontaneity of their occurrence points to the fact that Melville had internalized the contents and styles of Scripture to an extent that made him employ biblical imagery, characters, and themes as if they had sprung from his own mind. There are about 250 obvious allusions to biblical passages in Moby-Dick , and an almost indefinite number of thematic and stylistic borrowings. Throughout Melville's career as an author, the number of allusions to biblical writings continually rises, from only a dozen in his first novel, Typee, to more than 550 in Clarel, the latter being the only work with more references to Scripture than Moby-Dick. In Nathalia Wright's list of the biblical books which Herman Melville marked and commented upon, the books of Ecclesiastes and Job have most markings, right after the Psalms, Matthew, and Isaiah, which suggests 'close connections [...] between the Bibles he read and the books Melville wrote.' Of the passages thoroughly marked the wisdom sentiments in Job, especially the dialogue between Yahweh and Job in Job, ch. 38ff, as well as the short book of Jonah, are most notable for their recurrence as important features of Melville's novels. [...]

More books from GRIN Publishing

Cover of the book Fakten und Folgen des Umbaus der Seelsorgestrukturen im Deutschen Sprachraum by Silja Rübsamen
Cover of the book A violação dos direitos humanos sob Salazar no exemplo do Campo de Concentração do Tarrafal by Silja Rübsamen
Cover of the book Anthony Trollope's 'The Eustace Diamonds' - The Effects of Commodity Culture on Social Life and Marriage by Silja Rübsamen
Cover of the book Verdrängung und Ausschließung in den deutschen Innenstädten by Silja Rübsamen
Cover of the book European financial regulation and supervision and the onslaught of the financial crisis by Silja Rübsamen
Cover of the book Hanseatic Architecture by Silja Rübsamen
Cover of the book The poetry of John Donne by Silja Rübsamen
Cover of the book Minimum Wage Legislation in Australia by Silja Rübsamen
Cover of the book Cooperative Learning in Elementary School by Silja Rübsamen
Cover of the book The Influence of Betty Friedan's Work on Her Life and on the Lives of Women in Cold War America by Silja Rübsamen
Cover of the book The Politeness Phenomenon by Silja Rübsamen
Cover of the book UK Beer Industry Analysis by Silja Rübsamen
Cover of the book Abaut Major Filmmakers - The two musical scenes in the Josef von Sternbeg movie 'Morocco' by Silja Rübsamen
Cover of the book Permission Marketing of Infomediaries in M-Commerce Advertising by Silja Rübsamen
Cover of the book William Blake's idiosyncratic beliefs and his poetry by Silja Rübsamen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy