Martin Scorsese

Interviews, Revised and Updated

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book Martin Scorsese by , University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781496809247
Publisher: University Press of Mississippi Publication: January 5, 2017
Imprint: University Press of Mississippi Language: English
Author:
ISBN: 9781496809247
Publisher: University Press of Mississippi
Publication: January 5, 2017
Imprint: University Press of Mississippi
Language: English

Martin Scorsese (b. 1942) has long been considered one of America’s greatest cinematic storytellers. Over the last fifty years he has created some of the most iconic moments in American film, never afraid to confront controversial issues with passion. While few of his films are directly autobiographical, his upbringing in New York’s Little Italy, the childhood asthma that kept him from playing sports, and his early desire to enter the priesthood all helped form his sensibilities and later shaped his distinct style. Community, religion, violence—these themes drive a Scorsese picture, and whether he examines the violence that bursts forth in the hand of Travis Bickle or the passion of Jesus Christ, Scorsese’s mastery of the history, art, and craft of filmmaking is undeniable.

This collection was originally edited by the late Peter Brunette in 1999 and is now revised and extensively updated by Robert Ribera. It traces Scorsese’s evolution from the earliest days of the New American Cinema, his work with Roger Corman, and his days at New York University’s film program to his efforts to preserve the legacy of cinema, his documentary work, and his recent string of successes. Among new movies discussed are The Departed, Hugo, and The Wolf of Wall Street, and the documentaries No Direction Home and The Blues. Scorsese stands out as a director, producer, scholar, preservationist, and icon. His work both behind the camera and in the service of its history are a cornerstone of American and world cinemas. In these interviews, Scorsese takes us from Elizabeth Street to the heights of Hollywood and all the journeys in between.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Martin Scorsese (b. 1942) has long been considered one of America’s greatest cinematic storytellers. Over the last fifty years he has created some of the most iconic moments in American film, never afraid to confront controversial issues with passion. While few of his films are directly autobiographical, his upbringing in New York’s Little Italy, the childhood asthma that kept him from playing sports, and his early desire to enter the priesthood all helped form his sensibilities and later shaped his distinct style. Community, religion, violence—these themes drive a Scorsese picture, and whether he examines the violence that bursts forth in the hand of Travis Bickle or the passion of Jesus Christ, Scorsese’s mastery of the history, art, and craft of filmmaking is undeniable.

This collection was originally edited by the late Peter Brunette in 1999 and is now revised and extensively updated by Robert Ribera. It traces Scorsese’s evolution from the earliest days of the New American Cinema, his work with Roger Corman, and his days at New York University’s film program to his efforts to preserve the legacy of cinema, his documentary work, and his recent string of successes. Among new movies discussed are The Departed, Hugo, and The Wolf of Wall Street, and the documentaries No Direction Home and The Blues. Scorsese stands out as a director, producer, scholar, preservationist, and icon. His work both behind the camera and in the service of its history are a cornerstone of American and world cinemas. In these interviews, Scorsese takes us from Elizabeth Street to the heights of Hollywood and all the journeys in between.

More books from University Press of Mississippi

Cover of the book The Bad Sixties by
Cover of the book The Light in the Piazza and Other Italian Tales by
Cover of the book Creolization as Cultural Creativity by
Cover of the book Bluebeard by
Cover of the book Out of Sight by
Cover of the book The Florida Folklife Reader by
Cover of the book Women Pioneers of the Louisiana Environmental Movement by
Cover of the book Full Court Press by
Cover of the book Global Neorealism by
Cover of the book The Woman Fantastic in Contemporary American Media Culture by
Cover of the book Folklore Theory in Postwar Germany by
Cover of the book From Daniel Boone to Captain America by
Cover of the book Rolland Golden by
Cover of the book A Hard Rain Fell by
Cover of the book Connecting Childhood and Old Age in Popular Media by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy