Marcel Duchamp’s Fountain

One Hundred Years Later

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Art & Architecture, General Art, Criticism
Cover of the book Marcel Duchamp’s Fountain by Robert Kilroy, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert Kilroy ISBN: 9783319691589
Publisher: Springer International Publishing Publication: December 4, 2017
Imprint: Palgrave Pivot Language: English
Author: Robert Kilroy
ISBN: 9783319691589
Publisher: Springer International Publishing
Publication: December 4, 2017
Imprint: Palgrave Pivot
Language: English

This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.

More books from Springer International Publishing

Cover of the book Great Moments in the History of Life by Robert Kilroy
Cover of the book Enric Trillas: A Passion for Fuzzy Sets by Robert Kilroy
Cover of the book Interconnected Networks by Robert Kilroy
Cover of the book Ukraine and Beyond by Robert Kilroy
Cover of the book Management of the Fuzzy Front End of Innovation by Robert Kilroy
Cover of the book Self-Study in Physical Education Teacher Education by Robert Kilroy
Cover of the book Addressing the Challenges in Communicating Climate Change Across Various Audiences by Robert Kilroy
Cover of the book Advanced Materials by Robert Kilroy
Cover of the book Leadership in Islam by Robert Kilroy
Cover of the book Biomarkers in Neoplastic Neuropathology by Robert Kilroy
Cover of the book Tensor Valuations and Their Applications in Stochastic Geometry and Imaging by Robert Kilroy
Cover of the book Molecular Oncology: Underlying Mechanisms and Translational Advancements by Robert Kilroy
Cover of the book The Personality of Henry Cavendish - A Great Scientist with Extraordinary Peculiarities by Robert Kilroy
Cover of the book The World of Open Data by Robert Kilroy
Cover of the book Reliable Software Technologies – Ada-Europe 2018 by Robert Kilroy
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy