Korean Masculinities and Transcultural Consumption


Cover of the book Korean Masculinities and Transcultural Consumption by Hong Kong University Press, Hong Kong University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Hong Kong University Press ISBN: 9789888180226
Publisher: Hong Kong University Press Publication: December 15, 2009
Imprint: Language: English
Author: Hong Kong University Press
ISBN: 9789888180226
Publisher: Hong Kong University Press
Publication: December 15, 2009
Imprint:
Language: English

South Korean masculinities have enjoyed dramatically greater influence in recent years in many realms of pan-Asian popular culture, which travels freely in part because of its hybrid trans-nationalistic appeal. This book investigates transcultural consumption of three iconic figures — the middle-aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the thriller film Oldboy, and the Singaporean fandom of the pop-star Rain. Through these three specific but hybrid contexts, the author develops the concepts of soft masculinity, as well as global and postmodern variants of masculine cultural impacts. In the concluding chapter, the author also discusses recently emerging versatile masculinity within the transcultural pop production paradigm represented by K-pop idol boy bands.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

South Korean masculinities have enjoyed dramatically greater influence in recent years in many realms of pan-Asian popular culture, which travels freely in part because of its hybrid trans-nationalistic appeal. This book investigates transcultural consumption of three iconic figures — the middle-aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the thriller film Oldboy, and the Singaporean fandom of the pop-star Rain. Through these three specific but hybrid contexts, the author develops the concepts of soft masculinity, as well as global and postmodern variants of masculine cultural impacts. In the concluding chapter, the author also discusses recently emerging versatile masculinity within the transcultural pop production paradigm represented by K-pop idol boy bands.

More books from Hong Kong University Press

Cover of the book Chinese Landscape Painting as Western Art History by Hong Kong University Press
Cover of the book Fruit Chan's Durian Durian by Hong Kong University Press
Cover of the book Tales from No. 9 Ice House Street by Hong Kong University Press
Cover of the book Art Worlds by Hong Kong University Press
Cover of the book The Book Worlds of East Asia and Europe, 14501850 by Hong Kong University Press
Cover of the book The Public Sector in Hong Kong by Hong Kong University Press
Cover of the book The British Presence in Macau, 1635-1793 by Hong Kong University Press
Cover of the book Troubling American Women by Hong Kong University Press
Cover of the book 東江縱隊 (East River Column) by Hong Kong University Press
Cover of the book John Woo's A Better Tomorrow by Hong Kong University Press
Cover of the book Harbin to Hanoi by Hong Kong University Press
Cover of the book First Queer Voices from Thailand by Hong Kong University Press
Cover of the book Through the Looking Glass by Hong Kong University Press
Cover of the book International Education and the Chinese Learner by Hong Kong University Press
Cover of the book Profits, Politics and Panics by Hong Kong University Press
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy