Keys to the Drama

Nine Perspectives on Sonata Forms

Nonfiction, Entertainment, Music
Cover of the book Keys to the Drama by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317109235
Publisher: Taylor and Francis Publication: April 22, 2016
Imprint: Routledge Language: English
Author:
ISBN: 9781317109235
Publisher: Taylor and Francis
Publication: April 22, 2016
Imprint: Routledge
Language: English

Sonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic adaptability of its conception. This book presents nine studies whose central focus is sonata form. Their diversity attests both to the manifold analytical approaches to which the form responds, and to the vast range of musical possibility within the form's exemplars. At the same time, common compositional issues, analytical methods, and overarching perspectives on the essential nature of the form weave their way through the volume. Several of the essays approach the musical structure directly as drama, casting the work as an expression of its composer's engagement with an idea or principle that is dynamic and at times intensely difficult. Others concentrate their attention on a composer's use of "motive," which typically takes the form of a simple melodic span that shapes the musical architecture through an interdependent series of structural levels. Integrating these motivic threads within the musical fabric often warrants departures from formal norms in other areas. Analyses that seek to understand works with anomalous formal qualities-whether engendered by a motivic component or not-have a prominent place in the volume. Among these, accounts of idiosyncratic tonal discourse that threatens to undermine the unfolding of form-defining qualities or events are central.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic adaptability of its conception. This book presents nine studies whose central focus is sonata form. Their diversity attests both to the manifold analytical approaches to which the form responds, and to the vast range of musical possibility within the form's exemplars. At the same time, common compositional issues, analytical methods, and overarching perspectives on the essential nature of the form weave their way through the volume. Several of the essays approach the musical structure directly as drama, casting the work as an expression of its composer's engagement with an idea or principle that is dynamic and at times intensely difficult. Others concentrate their attention on a composer's use of "motive," which typically takes the form of a simple melodic span that shapes the musical architecture through an interdependent series of structural levels. Integrating these motivic threads within the musical fabric often warrants departures from formal norms in other areas. Analyses that seek to understand works with anomalous formal qualities-whether engendered by a motivic component or not-have a prominent place in the volume. Among these, accounts of idiosyncratic tonal discourse that threatens to undermine the unfolding of form-defining qualities or events are central.

More books from Taylor and Francis

Cover of the book Uncommon Sense by
Cover of the book Teaching Young Adults by
Cover of the book The Asian Cinema Experience by
Cover of the book A Social History of Western Europe, 1450-1720 by
Cover of the book English Privateering Voyages to the West Indies, 1588-1595 by
Cover of the book Traditional, Complementary and Alternative Medicine and Cancer Care by
Cover of the book The Entrepreneur in Microeconomic Theory by
Cover of the book Emotions in Organizational Behavior by
Cover of the book China's Crisis Management by
Cover of the book The Politics of Asbestos by
Cover of the book Foucault, Governmentality, and Organization by
Cover of the book Proceedings of the 2001 Fourth International Conference on Cognitive Modeling by
Cover of the book On Religion by
Cover of the book Anne Askew by
Cover of the book Introduction to the Work of Donald Meltzer by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy