Japanese Cinema Goes Global


Cover of the book Japanese Cinema Goes Global by Hong Kong University Press, Hong Kong University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Hong Kong University Press ISBN: 9789882209220
Publisher: Hong Kong University Press Publication: December 15, 2009
Imprint: Language: English
Author: Hong Kong University Press
ISBN: 9789882209220
Publisher: Hong Kong University Press
Publication: December 15, 2009
Imprint:
Language: English

Japan’s film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan’s national culture and the traditional sense of national belonging among Japanese people?

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Japan’s film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan’s national culture and the traditional sense of national belonging among Japanese people?

More books from Hong Kong University Press

Cover of the book Imperial to International by Hong Kong University Press
Cover of the book Art Worlds by Hong Kong University Press
Cover of the book Governors, Politics and The Colonial Office by Hong Kong University Press
Cover of the book Fixing Inequality in Hong Kong by Hong Kong University Press
Cover of the book The Virgin Mary and Catholic Identities in Chinese History by Hong Kong University Press
Cover of the book Merchants of War and Peace by Hong Kong University Press
Cover of the book Poseidon by Hong Kong University Press
Cover of the book Ann Huis Song of the Exile by Hong Kong University Press
Cover of the book Where There are Asians, There are Rice Cookers by Hong Kong University Press
Cover of the book Paper Scissors Stone by Hong Kong University Press
Cover of the book East Sails West by Hong Kong University Press
Cover of the book The Great Difference by Hong Kong University Press
Cover of the book The Search for a Vanishing Beijing by Hong Kong University Press
Cover of the book Korean Masculinities and Transcultural Consumption by Hong Kong University Press
Cover of the book Cultural Studies and Cultural Industries in Northeast Asia by Hong Kong University Press
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy