Image on the Edge

The Margins of Medieval Art

Nonfiction, Art & Architecture, General Art
Cover of the book Image on the Edge by Michael Camille, Reaktion Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael Camille ISBN: 9781780232508
Publisher: Reaktion Books Publication: June 1, 2013
Imprint: Reaktion Books Language: English
Author: Michael Camille
ISBN: 9781780232508
Publisher: Reaktion Books
Publication: June 1, 2013
Imprint: Reaktion Books
Language: English

What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished.

Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished.

Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.

More books from Reaktion Books

Cover of the book Pomegranate by Michael Camille
Cover of the book The Tramp in America by Michael Camille
Cover of the book Oil, Islam, and Conflict by Michael Camille
Cover of the book Air by Michael Camille
Cover of the book Arnold Schoenberg by Michael Camille
Cover of the book The Cry of Nature by Michael Camille
Cover of the book The Indus by Michael Camille
Cover of the book Berries by Michael Camille
Cover of the book Robert Altman by Michael Camille
Cover of the book The End is Nigh by Michael Camille
Cover of the book Conscience by Michael Camille
Cover of the book Chocolate by Michael Camille
Cover of the book Defining Features by Michael Camille
Cover of the book Jim Jarmusch by Michael Camille
Cover of the book Arthur Schopenhauer by Michael Camille
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy