Hugging the Shore

Essays and Criticism

Fiction & Literature, Literary Theory & Criticism, American, Essays & Letters, Essays
Cover of the book Hugging the Shore by John Updike, Random House Publishing Group
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Updike ISBN: 9780679645849
Publisher: Random House Publishing Group Publication: January 15, 2013
Imprint: Random House Language: English
Author: John Updike
ISBN: 9780679645849
Publisher: Random House Publishing Group
Publication: January 15, 2013
Imprint: Random House
Language: English

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
** **
“Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea,” writes John Updike in his Foreword to this collection of literary considerations. But the sailor doth protest too much: This collection begins somewhere near deep water, with a flotilla of short fiction, humor pieces, and personal essays, and even the least of the reviews here—those that “come about and draw even closer to the land with another nine-point quotation”—are distinguished by a novelist’s style, insight, and accuracy, not just surface sparkle. Indeed, as James Atlas commented, the most substantial critical articles, on Melville, Hawthorne, and Whitman, go out as far as Updike’s fiction: They are “the sort of ambitious scholarly reappraisal not seen in this country since the death of Edmund Wilson.” With Hugging the Shore, Michiko Kakutani wrote, Updike established himself “as a major and enduring critical voice; indeed, as the pre-eminent critic of his generation.”

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
** **
“Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea,” writes John Updike in his Foreword to this collection of literary considerations. But the sailor doth protest too much: This collection begins somewhere near deep water, with a flotilla of short fiction, humor pieces, and personal essays, and even the least of the reviews here—those that “come about and draw even closer to the land with another nine-point quotation”—are distinguished by a novelist’s style, insight, and accuracy, not just surface sparkle. Indeed, as James Atlas commented, the most substantial critical articles, on Melville, Hawthorne, and Whitman, go out as far as Updike’s fiction: They are “the sort of ambitious scholarly reappraisal not seen in this country since the death of Edmund Wilson.” With Hugging the Shore, Michiko Kakutani wrote, Updike established himself “as a major and enduring critical voice; indeed, as the pre-eminent critic of his generation.”

More books from Random House Publishing Group

Cover of the book Life's a Beach by John Updike
Cover of the book Silk on the Skin by John Updike
Cover of the book The Ride of a Lifetime by John Updike
Cover of the book Liberation Road by John Updike
Cover of the book I Know Why the Caged Bird Sings by John Updike
Cover of the book One Night at the Lake by John Updike
Cover of the book Echelon by John Updike
Cover of the book Long Time Coming by John Updike
Cover of the book Walking to Canterbury by John Updike
Cover of the book Crisis, Pursued by Disaster, Followed Closely by Catastrophe by John Updike
Cover of the book The Belly of Paris by John Updike
Cover of the book The Gate to Women's Country by John Updike
Cover of the book Garfield Souped Up by John Updike
Cover of the book The Turn of the Screw & In the Cage by John Updike
Cover of the book The Children's Story by John Updike
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy