Hitchcock à la Carte

Nonfiction, Entertainment, Performing Arts, Television, History & Criticism, Film
Cover of the book Hitchcock à la Carte by Jan Olsson, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jan Olsson ISBN: 9780822376026
Publisher: Duke University Press Publication: April 25, 2015
Imprint: Duke University Press Books Language: English
Author: Jan Olsson
ISBN: 9780822376026
Publisher: Duke University Press
Publication: April 25, 2015
Imprint: Duke University Press Books
Language: English

Alfred Hitchcock: cultural icon, master film director, storyteller, television host, foodie. And as Jan Olsson argues in Hitchcock à la Carte, he was also an expert marketer who built his personal brand around his rotund figure and well-documented table indulgencies. Focusing on Hitchcock's television series Alfred Hitchcock Presents (1955-1962) and the The Alfred Hitchcock Hour (1962-1965), Olsson asserts that the success of Hitchcock's media empire depended on his deft manipulation of bodies and the food that sustained them. Hitchcock's strategies included frequently playing up his own girth, hiring body doubles, making numerous cameos, and using food—such as a frozen leg of lamb—to deliver scores of characters to their deaths. Constructing his brand enabled Hitchcock to maintain creative control, blend himself with his genre, and make himself the multi-million-dollar franchise's principal star. Olsson shows how Hitchcock's media brand management was a unique performance model that he used to mark his creative oeuvre as strictly his own.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Alfred Hitchcock: cultural icon, master film director, storyteller, television host, foodie. And as Jan Olsson argues in Hitchcock à la Carte, he was also an expert marketer who built his personal brand around his rotund figure and well-documented table indulgencies. Focusing on Hitchcock's television series Alfred Hitchcock Presents (1955-1962) and the The Alfred Hitchcock Hour (1962-1965), Olsson asserts that the success of Hitchcock's media empire depended on his deft manipulation of bodies and the food that sustained them. Hitchcock's strategies included frequently playing up his own girth, hiring body doubles, making numerous cameos, and using food—such as a frozen leg of lamb—to deliver scores of characters to their deaths. Constructing his brand enabled Hitchcock to maintain creative control, blend himself with his genre, and make himself the multi-million-dollar franchise's principal star. Olsson shows how Hitchcock's media brand management was a unique performance model that he used to mark his creative oeuvre as strictly his own.

More books from Duke University Press

Cover of the book AIDS TV by Jan Olsson
Cover of the book Speculation, Now by Jan Olsson
Cover of the book Unconsolable Contemporary by Jan Olsson
Cover of the book Engraven Desire by Jan Olsson
Cover of the book The Black Church in the African American Experience by Jan Olsson
Cover of the book After Ethnos by Jan Olsson
Cover of the book Imre Lakatos and the Guises of Reason by Jan Olsson
Cover of the book Hospital Time by Jan Olsson
Cover of the book Sensing Sound by Jan Olsson
Cover of the book What Does It Mean to Grow Old? by Jan Olsson
Cover of the book Ethnography in Unstable Places by Jan Olsson
Cover of the book The Federal Appointments Process by Jan Olsson
Cover of the book Psychosomatic by Jan Olsson
Cover of the book Impossible Desires by Jan Olsson
Cover of the book Sound by Jan Olsson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy