Hiroshima Traces

Time, Space, and the Dialectics of Memory

Nonfiction, History, Asian, Asia, Social & Cultural Studies, Social Science, Anthropology
Cover of the book Hiroshima Traces by Lisa Yoneyama, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lisa Yoneyama ISBN: 9780520914896
Publisher: University of California Press Publication: May 16, 1999
Imprint: University of California Press Language: English
Author: Lisa Yoneyama
ISBN: 9780520914896
Publisher: University of California Press
Publication: May 16, 1999
Imprint: University of California Press
Language: English

Remembering Hiroshima, the city obliterated by the world's first nuclear attack, has been a complicated and intensely politicized process, as we learn from Lisa Yoneyama's sensitive investigation of the "dialectics of memory." She explores unconventional texts and dimensions of culture involved in constituting Hiroshima memories—including history textbook controversies, discourses on the city's tourism and urban renewal projects, campaigns to preserve atomic ruins, survivors' testimonial practices, ethnic Koreans' narratives on Japanese colonialism, and the feminized discourse on peace—in order to illuminate the politics of knowledge about the past and present. In the way battles over memories have been expressed as material struggles over the cityscape itself, we see that not all share the dominant remembering of Hiroshima's disaster, with its particular sense of pastness, nostalgia, and modernity. The politics of remembering, in Yoneyama's analysis, is constituted by multiple and contradictory senses of time, space, and positionality, elements that have been profoundly conditioned by late capitalism and intensifying awareness of post-Cold War and postcolonial realities.

Hiroshima Traces, besides clarifying the discourse surrounding this unforgotten catastrophe, reflects on questions that accompany any attempts to recover marginalized or silenced experiences. At a time when historical memories around the globe appear simultaneously threatening and in danger of obliteration, Yoneyama asks how acts of remembrance can serve the cause of knowledge without being co-opted and deprived of their unsettling, self-critical qualities.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Remembering Hiroshima, the city obliterated by the world's first nuclear attack, has been a complicated and intensely politicized process, as we learn from Lisa Yoneyama's sensitive investigation of the "dialectics of memory." She explores unconventional texts and dimensions of culture involved in constituting Hiroshima memories—including history textbook controversies, discourses on the city's tourism and urban renewal projects, campaigns to preserve atomic ruins, survivors' testimonial practices, ethnic Koreans' narratives on Japanese colonialism, and the feminized discourse on peace—in order to illuminate the politics of knowledge about the past and present. In the way battles over memories have been expressed as material struggles over the cityscape itself, we see that not all share the dominant remembering of Hiroshima's disaster, with its particular sense of pastness, nostalgia, and modernity. The politics of remembering, in Yoneyama's analysis, is constituted by multiple and contradictory senses of time, space, and positionality, elements that have been profoundly conditioned by late capitalism and intensifying awareness of post-Cold War and postcolonial realities.

Hiroshima Traces, besides clarifying the discourse surrounding this unforgotten catastrophe, reflects on questions that accompany any attempts to recover marginalized or silenced experiences. At a time when historical memories around the globe appear simultaneously threatening and in danger of obliteration, Yoneyama asks how acts of remembrance can serve the cause of knowledge without being co-opted and deprived of their unsettling, self-critical qualities.

More books from University of California Press

Cover of the book Beyond the Walled City by Lisa Yoneyama
Cover of the book Drama Kings by Lisa Yoneyama
Cover of the book Different Drummers by Lisa Yoneyama
Cover of the book The World of Sicilian Wine by Lisa Yoneyama
Cover of the book Body of Victim, Body of Warrior by Lisa Yoneyama
Cover of the book Islam after Communism by Lisa Yoneyama
Cover of the book Magnetic Mountain by Lisa Yoneyama
Cover of the book Potosi by Lisa Yoneyama
Cover of the book Ants of Africa and Madagascar by Lisa Yoneyama
Cover of the book Fundamentals of the Stem Cell Debate by Lisa Yoneyama
Cover of the book Purity, Body, and Self in Early Rabbinic Literature by Lisa Yoneyama
Cover of the book Collected Poems of Robert Creeley, 1975–2005 by Lisa Yoneyama
Cover of the book The Mathers by Lisa Yoneyama
Cover of the book Race and Ethnicity in America by Lisa Yoneyama
Cover of the book The Jail by Lisa Yoneyama
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy