| Author: | Christina Rossetti | ISBN: | 9780486113265 |
| Publisher: | Dover Publications | Publication: | March 5, 2012 |
| Imprint: | Dover Publications | Language: | English |
| Author: | Christina Rossetti |
| ISBN: | 9780486113265 |
| Publisher: | Dover Publications |
| Publication: | March 5, 2012 |
| Imprint: | Dover Publications |
| Language: | English |
An important and often-quoted literary figure, the English poet Christina Rossetti (1830–1894) wrote some of the most beautiful and voluptuous poetry in the English language. Like Emily Dickinson, she lived in self-imposed isolation, writing of God and lost love with a sensuality and passion that seemed to emanate from the soul.
This edition of 53 works combines a number of her best-known sonnets, ballads, and shorter lyrics with her long masterpiece, the narrative fable Goblin Market. A haunting fairy tale in verse, Goblin Market was once labeled a children's poem, yet its intricate symbolism and themes of temptation, sin, and redemption mark it for an adult audience. Among other works included in this choice collection are "The Convent Threshold," "Up-hill," "Cousin Kate," "Winter: My Secret," "Maude Clare," "No, Thank You, John," and "After Death."
An important and often-quoted literary figure, the English poet Christina Rossetti (1830–1894) wrote some of the most beautiful and voluptuous poetry in the English language. Like Emily Dickinson, she lived in self-imposed isolation, writing of God and lost love with a sensuality and passion that seemed to emanate from the soul.
This edition of 53 works combines a number of her best-known sonnets, ballads, and shorter lyrics with her long masterpiece, the narrative fable Goblin Market. A haunting fairy tale in verse, Goblin Market was once labeled a children's poem, yet its intricate symbolism and themes of temptation, sin, and redemption mark it for an adult audience. Among other works included in this choice collection are "The Convent Threshold," "Up-hill," "Cousin Kate," "Winter: My Secret," "Maude Clare," "No, Thank You, John," and "After Death."
