From France With Love

Gender and Identity in French Romantic Comedy

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Entertainment, Performing Arts
Cover of the book From France With Love by Mary Harrod, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary Harrod ISBN: 9780857739902
Publisher: Bloomsbury Publishing Publication: May 21, 2015
Imprint: I.B. Tauris Language: English
Author: Mary Harrod
ISBN: 9780857739902
Publisher: Bloomsbury Publishing
Publication: May 21, 2015
Imprint: I.B. Tauris
Language: English

Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amélie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com à l'Américaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amélie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com à l'Américaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

More books from Bloomsbury Publishing

Cover of the book The Testimonies of Russian and American Postmodern Poetry by Mary Harrod
Cover of the book The Truth by Mary Harrod
Cover of the book Popular Singing and Style by Mary Harrod
Cover of the book Khrushchev by Mary Harrod
Cover of the book Creative Enterprise by Mary Harrod
Cover of the book Off the Deep End by Mary Harrod
Cover of the book Iran and Pakistan by Mary Harrod
Cover of the book Speculative Realism by Mary Harrod
Cover of the book Acting with Passion by Mary Harrod
Cover of the book Augie's Quest by Mary Harrod
Cover of the book The Waffen-SS (2) by Mary Harrod
Cover of the book 100 Must-read Books for Men by Mary Harrod
Cover of the book The Vocation of Anglicanism by Mary Harrod
Cover of the book Early US Armor by Mary Harrod
Cover of the book Paul and the Greco-Roman Philosophical Tradition by Mary Harrod
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy