Francesco Hayez

Paintings

Biography & Memoir, Artists, Architects & Photographers, Nonfiction, Art & Architecture
Cover of the book Francesco Hayez by Daniel Coenn, Classic & Annotated
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Daniel Coenn ISBN: 1230000161671
Publisher: Classic & Annotated Publication: August 11, 2013
Imprint: 1 Language: English
Author: Daniel Coenn
ISBN: 1230000161671
Publisher: Classic & Annotated
Publication: August 11, 2013
Imprint: 1
Language: English

Francesco Hayez was the leading paintert of Italian Romanticism in mid-19th-century. He lived long and was prolific. His work spanned both historic paintings, including those that would have appealed to the patriotic sensibility of his patrons. Others reflect the desire to accompany a Neoclassic style to grand themes, either from biblical or classical literature. He also painted scenes from theatrical presentations of his day. Corrado Ricci describes him as starting as a classicist but then evolving to a style of emotional tumult. His portraits have the intensity seen with Ingres and the Nazarene movement. One of his favorite themes was a semi-clothed female. The depictions of harems and their women allowed them the ability to paint scenes not acceptable in their society. Even his Mary Magdalene has more sensuality than religious fervor. Among his paintings The Kiss was considered among his best works by contemporaries, and has only gained in admiration since then.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Francesco Hayez was the leading paintert of Italian Romanticism in mid-19th-century. He lived long and was prolific. His work spanned both historic paintings, including those that would have appealed to the patriotic sensibility of his patrons. Others reflect the desire to accompany a Neoclassic style to grand themes, either from biblical or classical literature. He also painted scenes from theatrical presentations of his day. Corrado Ricci describes him as starting as a classicist but then evolving to a style of emotional tumult. His portraits have the intensity seen with Ingres and the Nazarene movement. One of his favorite themes was a semi-clothed female. The depictions of harems and their women allowed them the ability to paint scenes not acceptable in their society. Even his Mary Magdalene has more sensuality than religious fervor. Among his paintings The Kiss was considered among his best works by contemporaries, and has only gained in admiration since then.

More books from Classic & Annotated

Cover of the book Edward Burne-Jones by Daniel Coenn
Cover of the book Vasily Surikov by Daniel Coenn
Cover of the book John Constable by Daniel Coenn
Cover of the book Berthe Morisot by Daniel Coenn
Cover of the book Ilya Repin by Daniel Coenn
Cover of the book John La Farge by Daniel Coenn
Cover of the book Amedeo Modigliani: 125 Portrait Drawings & Paintings (Annotated) by Daniel Coenn
Cover of the book Henri Fantin-Latour by Daniel Coenn
Cover of the book Nicolas Poussin by Daniel Coenn
Cover of the book Berthe Morisot by Daniel Coenn
Cover of the book Konstantin Korovin by Daniel Coenn
Cover of the book John Everett Millais by Daniel Coenn
Cover of the book Edward Burne-Jones by Daniel Coenn
Cover of the book Gustave Dore by Daniel Coenn
Cover of the book John Henry Fuseli Drawings by Daniel Coenn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy