Framed

Women in Law and Film

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science, Gender Studies, Women&
Cover of the book Framed by Orit Kamir, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Orit Kamir ISBN: 9780822387763
Publisher: Duke University Press Publication: January 19, 2006
Imprint: Duke University Press Books Language: English
Author: Orit Kamir
ISBN: 9780822387763
Publisher: Duke University Press
Publication: January 19, 2006
Imprint: Duke University Press Books
Language: English

Some women attack and harm men who abuse them. Social norms, law, and films all participate in framing these occurrences, guiding us in understanding and judging them. How do social, legal, and cinematic conventions and mechanisms combine to lead us to condemn these women or exonerate them? What is it, exactly, that they teach us to find such women guilty or innocent of, and how do they do so?

Through innovative readings of a dozen movies made between 1928 and 2001 in Europe, Japan, and the United States, Orit Kamir shows that in representing “gender crimes,” feature films have constructed a cinematic jurisprudence, training audiences worldwide in patterns of judgment of women (and men) in such situations. Offering a novel formulation of the emerging field of law and film, Kamir combines basic legal concepts—murder, rape, provocation, insanity, and self-defense—with narratology, social science methodologies, and film studies.

Framed not only offers a unique study of law and film but also points toward new directions in feminist thought. Shedding light on central feminist themes such as victimization and agency, multiculturalism, and postmodernism, Kamir outlines a feminist cinematic legal critique, a perspective from which to evaluate the “cinematic legalism” that indoctrinates and disciplines audiences around the world. Bringing an original perspective to feminist analysis, she demonstrates that the distinction between honor and dignity has crucial implications for how societies construct women, their social status, and their legal rights. In Framed, she outlines a dignity-oriented, honor-sensitive feminist approach to law and film.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Some women attack and harm men who abuse them. Social norms, law, and films all participate in framing these occurrences, guiding us in understanding and judging them. How do social, legal, and cinematic conventions and mechanisms combine to lead us to condemn these women or exonerate them? What is it, exactly, that they teach us to find such women guilty or innocent of, and how do they do so?

Through innovative readings of a dozen movies made between 1928 and 2001 in Europe, Japan, and the United States, Orit Kamir shows that in representing “gender crimes,” feature films have constructed a cinematic jurisprudence, training audiences worldwide in patterns of judgment of women (and men) in such situations. Offering a novel formulation of the emerging field of law and film, Kamir combines basic legal concepts—murder, rape, provocation, insanity, and self-defense—with narratology, social science methodologies, and film studies.

Framed not only offers a unique study of law and film but also points toward new directions in feminist thought. Shedding light on central feminist themes such as victimization and agency, multiculturalism, and postmodernism, Kamir outlines a feminist cinematic legal critique, a perspective from which to evaluate the “cinematic legalism” that indoctrinates and disciplines audiences around the world. Bringing an original perspective to feminist analysis, she demonstrates that the distinction between honor and dignity has crucial implications for how societies construct women, their social status, and their legal rights. In Framed, she outlines a dignity-oriented, honor-sensitive feminist approach to law and film.

More books from Duke University Press

Cover of the book Sexuality, Disability, and Aging by Orit Kamir
Cover of the book Orientalism and Modernism by Orit Kamir
Cover of the book Sins against Nature by Orit Kamir
Cover of the book Jameson on Jameson by Orit Kamir
Cover of the book I Love My Selfie by Orit Kamir
Cover of the book Dissent from the Homeland by Orit Kamir
Cover of the book Europe (in Theory) by Orit Kamir
Cover of the book Displacement, Diaspora, and Geographies of Identity by Orit Kamir
Cover of the book Crash by Orit Kamir
Cover of the book The Cinematic Life of the Gene by Orit Kamir
Cover of the book Hydraulic City by Orit Kamir
Cover of the book Cultures in Orbit by Orit Kamir
Cover of the book Emergent Forms of Life and the Anthropological Voice by Orit Kamir
Cover of the book Beyond the Whiteness of Whiteness by Orit Kamir
Cover of the book Tropes, Parables, and Performatives by Orit Kamir
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy